照片/水墨上下对开：Split-Frame Ink Wash 完整配方

提示词

Split-Frame Ink Wash Reconstruction
3:4 vertical composition · photo / ink wash split · contemporary Eastern aesthetic
The image is in a 3:4 vertical composition, divided into two regions, with a strict 1:1 ratio, each taking up 50% of the image.
Upper Region — Original Photo Shoot Area
Preserves the subject's identity, structure, perspective, and true material, natural light, and original color atmosphere, with only slight high-end color grading and image purification, presenting it with the texture of art magazines or exhibition photography. It allows for a moderate expansion of the background to fit the screen size, but does not stretch, distort, or reshape the subject, without changing the subject's structure, posture, and core composition.
Lower Region — Minimalist Ink Wash Reconstruction Area
First, refine the subject with the most memorable details, such as the outline, structure, trend, perspective, rhythm, and atmosphere, and then reconstruct the same scene into a minimalist ink wash material landscape. Do not copy the photo details, do not make a realistic copy, only preserve the most recognizable structure and charm, allowing people to recognize the corresponding relationship between the upper region and the original photo at first glance.
The overall base of the lower half is milky white, warm white or paper white, with delicate paper fiber and natural texture. The main body is reconstructed in ink wash blending, dry-wet interplay, flying white, seepage, ink accumulation, and white space, forming a quiet, restrained, and poetic Eastern visual. Removing secondary details, only retaining the most distinctive contours, structural turns, spatial layers, and breath, not pursuing realistic completeness, but rather summarizing, refining, and leaving a lingering impression. The use of ink in black, gray, and light ink tones, layered and progressing, with varying intensities and rhythms.
The most vibrant colors can be extracted from the original image to create a few spots of dyeing or coloring, without mechanically replicating the color values. The colors can be transformed locally into clear blue-gray, distant blue, soft gold, warm yellow, vermilion red, light cyan, etc., to emphasize the main focus and emotional rhythm, but the overall composition is still dominated by ink tones and negative space. Avoiding dull, heavy, old brown, excessive decoration, and vulgar color combinations.
The main core areas should be more refined and concentrated, with edges gradually loosening, breaking away, disappearing, and scattering, forming a sense of breathing with the large negative space. The lower half of the composition should account for about 30%–45%, with the rest reserved for large negative spaces. The composition can be biased, framed, suspended, or slightly cut, but must maintain an asymmetrical balance and a high-end editorial feel. Negative space is not blank, but an important component of the visual structure. It is better to reduce information than to fill the entire image, so that the main focus looks like an ink seal or an oriental material work displayed on a page.
Text Treatment
Text is only allowed a very small amount of editing intervention, without preset titles and numbers. A small number of words or short sentences can be extracted from the subject, location, time, action, emotion, or metaphor, and quietly placed in the blank area or the edge of the subject. The text should be restrained, sparse, and have a sense of breathing, not noisy or dominant.
Overall Presentation
Contemporary Eastern aesthetics, minimalist ink wash reconstruction, large-scale art blank, small-scale seal impression, quiet editing layout and exhibition poster style. Avoid complex backgrounds, piled-up real details, overly decorative, excessive text, template layout and filled composition.

生成：GPT Image 2.5 / ChatGPT Images 2.5

中文译文

分屏水墨重构
3:4 竖构图 · 照片 / 水墨分屏 · 当代东方美学
画面为 3:4 竖构图，分为两个区域，严格按 1:1 比例，各占画面的 50%。
上半区 — 原始摄影拍摄区
保留主体的身份、结构、透视与真实材质、自然光以及原有的色彩氛围，仅做轻微的高端调色与画面净化，使其呈现出艺术杂志或展览摄影的质感。允许为适配画幅适度扩展背景，但不得拉伸、变形或重塑主体，不得改变主体的结构、姿态与核心构图。
下半区 — 极简水墨重构区
首先，用最具记忆点的细节提炼主体，例如轮廓、结构、走势、透视、节奏与氛围，然后把同一场景重构成一幅极简的水墨质感山水。不要复制照片细节，不要做写实复刻，只保留最具辨识度的结构与韵味，让人一眼就能看出上半区与原始照片之间的对应关系。
下半部分的整体底色为乳白、暖白或纸白，带有细腻的纸纤维与自然肌理。主体以水墨晕染、干湿交融、飞白、渗化、积墨与留白重构，形成安静、克制、富有诗意的东方视觉。去除次要细节，只保留最鲜明的轮廓、结构转折、空间层次与呼吸感，不追求写实的完整，而是概括、提炼，留下余韵。墨色以黑、灰与淡墨为主，层层叠加、逐级推进，浓淡与节奏富于变化。
可从原图中提取最鲜活的颜色，做成少量点染或上色，但不要机械复制色值。颜色可在局部转化为清透的青灰、远山蓝、柔金、暖黄、朱砂红、淡青等，用以强调主体焦点与情绪节奏，但整体画面仍以墨色与留白为主导。避免沉闷、厚重、陈旧的褐色，避免过度装饰与俗气的配色。
主体核心区域应更精致、更凝练，边缘逐渐松动、脱离、消散、散开，与大面积留白共同形成呼吸感。构图的下半部分约占 30%–45%，其余留作大面积负空间。构图可以偏心、加框、悬置或轻微裁切，但必须保持非对称的平衡与高端的编辑感。留白不是空白，而是画面结构的重要组成部分。宁可减少信息，也不要把整张画面填满，让主体看起来像一枚墨印，或一件陈列于页面上的东方质感作品。
文字处理
文字只允许极轻微的编辑介入，不设预设标题与数字。可从主体、地点、时间、动作、情绪或隐喻中提取少量词语或短句，安静地放置在空白处或主体边缘。文字应克制、稀疏、有呼吸感，不喧闹、不主导。
整体呈现
当代东方美学，极简水墨重构，大面积艺术留白，小面积印章感，安静的编辑版式与展览海报风格。避免复杂背景、堆砌的真实细节、过度装饰、过量文字、模板化版式以及填满的构图。

生成：GPT Image 2.5 / ChatGPT Images 2.5

溯源

原作者

harboriis

发布日期

2026-09-29

原始出处

查看原帖 ↗

收录来源

xianyu110/awesome-gpt-image2.5 · 2104799948072161492 · MIT