Sunburst 半調旅行拼貼:上半真照下半印刷崩解
一圖兩世界:上半鎖原片身份,下半撕紙+ASCII+複印網點。旅行 editorial / 檔案感海報直接抄,附完整防翻車約束。



提示詞
Turn this portrait photo into a single high-end halftone travel-collage poster. Output one poster per uploaded photo — never merge multiple photos into one frame. FORMAT 3:4 vertical canvas. Split into two roughly equal zones — real photo on top, printed collage below — divided by one clean, sharp horizontal line. Do not stretch, warp, or reposition the figure to force the proportions. TOP HALF — THE REAL SHOT Preserve the original photo faithfully: same identity, face, expression, pose, hands, clothing, personal items, background structure, natural light and shadow, original color mood. Add only a light high-end color grade and the faintest film grain. Do not redraw or reinterpret the person. BOTTOM HALF — THE PRINTED RECONSTRUCTION Same warm gray old-paper background. Rebuild the same figure as a printed collage: torn photographic slices + fixed-width ASCII character fields + photocopy halftone dots. Keep face, hands, hairstyle, clothing, and one signature item recognizable — identity must survive the breakdown. Torn-edge photo fragments carry the face and key structural lines; fabric, shadow, and background dissolve outward into ASCII characters, black halftone dots, and fractured print grain. Texture: rough white paper-fiber edges, slight print misregistration, old paper stains, a couple of crop marks, one restrained red calibration bar. Color: warm gray paper + black ink + the photo’s own muted original colors + the single red accent. Never fully desaturate. Figure fills roughly 60–88% of the frame width — always leave 22–38% of the paper untouched and empty, so it reads as archival print, not a packed terminal screen. Add one readable fixed-width title pulled from the photo’s theme, plus the line "REC. STUDY 01" and one short observational caption. A few loose ASCII glyphs can trace the figure’s edge as texture only — never used to fake body detail or invent specs. MOOD Early digital systems meets analog photocopy meets underground zine meets modern travel editorial. The figure should feel like it’s surfacing — half photograph, half character, half print — restrained, archival, a little experimental. AVOID Solid black terminal backgrounds, walls of dense code, cyberpunk neon, fully hidden faces, random symbols with no meaning, invented technical readouts, garbled fake text, author credits, brand logos, QR codes, watermarks.
中文翻譯
將這張人像照片轉化爲一張高端的半調旅行拼貼海報。每張上傳的照片只輸出一張海報——絕不把多張照片合併進同一畫面。 格式 3:4 豎版畫布。分成上下兩個大致相等的區域——上方是真實照片,下方是印刷拼貼——由一條乾淨、銳利的水平線分隔。不要爲了湊比例而拉伸、扭曲或重新擺放人物。 上半部分 —— 真實照片 忠實保留原始照片:相同的身份、面部、表情、姿勢、雙手、服裝、隨身物品、背景結構、自然光影、原本的色彩氛圍。只添加輕微的高端調色和最細微的膠片顆粒。不要重繪或重新詮釋人物。 下半部分 —— 印刷重構 同樣的暖灰色舊紙背景。將同一人物重建爲印刷拼貼:撕紙照片切片 + 等寬 ASCII 字符場 + 複印半調網點。 保持面部、雙手、髮型、服裝和一件標誌性物品可辨認——身份必須在解構中存活。 撕裂邊緣的照片碎片承載面部與關鍵結構線;織物、陰影和背景向外溶解爲 ASCII 字符、黑色半調網點和破碎的印刷顆粒。 質感:粗糙的白色紙張纖維邊緣、輕微的印刷套印不準、舊紙污漬、幾處裁切標記、一條剋制的紅色校準條。 色彩:暖灰紙張 + 黑色油墨 + 照片本身柔和的原始色彩 + 單一的紅色點綴。絕不徹底去飽和。 人物約佔畫面寬度的 60–88%——始終留出 22–38% 的紙面保持空白未動,使其讀起來像檔案印刷品,而不是塞滿內容的終端屏幕。 添加一個可讀的等寬標題,取自照片的主題,再加上 "REC. STUDY 01" 這一行和一句簡短的觀察性圖注。少量鬆散的 ASCII 字形可以僅作爲質感勾勒人物邊緣——絕不用於僞造身體細節或編造參數。 氛圍 早期數字系統遇上模擬複印,遇上地下 zine,遇上現代旅行編輯。人物應感覺像是正在浮現——一半照片、一半字符、一半印刷——剋制、檔案感、略帶實驗性。 避免 純黑終端背景、密集的代碼牆、賽博朋克霓虹、完全被遮擋的面部、毫無意義的隨機符號、編造的技術讀數、亂碼假文字、作者署名、品牌 logo、二維碼、水印。
溯源
- 原作者
- ShamiWeb3
- 發佈日期
- 2026-09-14
- 原始出處
- 查看原帖 ↗
- 收錄來源
- xianyu110/awesome-gpt-image2.5 · 2099316312426381491 · MIT