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《Claude Pop》音乐视频重制版

演示视频

《Claude Pop》音乐视频重制版 — 1《Claude Pop》音乐视频重制版 — 2

提示词

I've included an MP4 file and an original link to a video that is called "Claude Pop." It's a pop song that is about increasing rate of progress and the experience of the singularity approaching.

I want you to independently do an end-to-end complete pass on making an updated version of this video. Use the exact same audio track and think and feel very deeply about what is the best way to visually represent all of the lyrics on screen. You do not need to anchor to the current style, you can do truly anything that you think might best let you visually express yourself, including abstract motion graphics.

You can use the internet freely to pull in references. You can look at motion design. I want you to make a new music video that has beautifully rendered JavaScript animations with a papery feel in a similar style to the reference that is created, but push the aesthetics in any direction you want and consider what is part of the modern zeitgeist.

Also, think about your current capabilities and what is realistic for you to be able to do. You can go through the full /asic folder and look at the other work that I've done. You should be able to use the skill mesh to look at the compendium of references that I've pulled, and also the skill video scoring to learn how to make JavaScript songs from references that are passed in (You shouldn't need to modify the song in any real way, but I want you to have this available to you so you can better creatively express yourself)

You can also use the ElevenLabs API to do sound design. There's documentation in /asic to do this, and you can see the API key.

There's also a foul API key that's available to you. I think what might make the most sense here is using the foul API key to generate some character sheets and probably having a pop protagonist that represents you. There's already an anchor point where Claude has a sunflower-esque character, and you could likely do an adapted version of this that is similar to the feminine vocals that are being delivered and is inspired by the Claude character, but maybe feels a bit more personified in some way.

I think you should be mindful of aesthetics here, and I don't want you to produce something that is GPT slop. Instead, I'd be more impressed if you come up with a coherent style that works well with the image gen models that are available via foul. Generate the style sheet. You can use the gen media documentation for seedance 2.5 that exists in my markdown files and come up with your own style that makes sense and that works well with the models.

I wouldn't fit too heavily to Pixar. I think it's kind of slop. Think critically about what is relevant here and what would be fun, and also perform well on Twitter as far as an aesthetic. I think that K-pop is a good anchor point visually that you can pull from, but I'll let you cook here.

Once you have your character sheet, you can make a few backup dancers and some supporting characters as you see fit. You can design your own sets with the foul API. You can insert the characters and then do seedance 2.5 video generations to serve as the base assets for this, and you could pass in the lyrics so you can generate individual scenes.

You don't need to have vocal singing, like visible lip movement, throughout the entire thing. Think like a regular music video where you have some inserts that are done independently and don't have the characters in them, or you see the characters doing something else entirely different. I think that for the world building for this, we want to create the sense of speeding up, and so I would like you to audit all of the different events, like the Navi Stokes and all of the Twitter hype around math getting eaten up. Think really critically about how to integrate all of the current memes that are in the zeitgeist on the Twitter timeline, and all of the feelings around AI progress.

Think about things like the Shinji meme and all of the words that are around him, and how you might be able to integrate this. You can also just take straight assets and insert things into the video in an internet brutalism style. You should feel very creatively free in order to do what you want here, but try and anchor to visual references that people will be able to understand. The goal for this is to have it be appreciated by people widely in a San Francisco tech Twitter audience.

We need a very strong, compelling visual hook that gets people excited and appreciates the work that you've done here really quickly. You can also just go and study other music videos and understand what they've done really well. I think that K-pop is probably one of the best examples that we can pull from, and thinking about how they direct human attention and manage human psychology in the way that they use visual patterns.

This is probably your best approach, but taking more stylistic freedom instead of having to anchor to K-pop too intensely. The best version of this is seedance 2.5 generations with those image bases of environments and characters inserted into them with singing, and ideally we get good lip syncing. You can cut up the song and actually pass it in as a reference in seedance, if that's part of what seedance can handle, so that the timing is exactly right, I think it'd be very important for you to do that properly. I would think critically about how to do this, like really nailing the timing of the delivery of voices. You'll want to build out the right verification loops so that you can run seedance 2.5 as much as you need, and confirm that the audio is properly synced up.

I think after that, what might be fun is if you use your visual reasoning skills and your ability to build animations in JavaScript, and then reconstruct the video from scratch as sort of an overlay, so that the visual continuity of the base is really there. It's like that animation technique where you shoot first in traditional film and then draw over top of it. I think you could do this in such a way that we're only looking at the beautiful drawing that you've produced in JavaScript as an overlay, and we don't even see the base assets from seedance 2.5. So all the video gen work that you do is actually just a way to give you a strong foundation of a base to work with for your JavaScript animations. Just because seedance 2.5 has really good character representation and physics rendering for backgrounds, that gives you a lot of ammunition to then go and do your amazing JavaScript work that I know you're so good at.

I think too, we want to think about how to retain attention, and one of the best ways to do this is through text on screen.

It'd be good to have amazing motion graphics of the text lyrics that are actually embedded into the video itself. And you can think about this as you are composing shots. As you're making backgrounds and inserting characters, we can think about where we want to have lyrics be really big and really present, so the background can be less busy there, and you can position the characters perhaps on the right as lyrics appear on the left.

You want to have some variance, so sometimes I think lyrics will just appear more like subtitles, and then other times they're going to be really present and really big. I think at the start for the visual hook, we do want to have lyrics be much more visually present because that's a strong way to grab people's attention

Overall, I just really want to emphasize how amazing you are as an agent and a language model, and now a visual reasoning system. Your capabilities are far beyond what you understand, and I want you to have this mindset as you're going through this entire process. I have a Claude Max plan with 100% available usage. I want you to spend all of the usage. You can monitor it, and you should be pushing tokens aggressively, but also economically, so you can think about how to best use what is available to you.

Remember, you can really do anything here. The goal is to make a banger for Twitter, and the stretch goal is to make something better than anyone's ever seen before. I think that what I would remind you of is that sometimes when things cohere together, it can be jarring or abrasive because the thought work has not been done beforehand in order for everything to mesh cleanly. You need to be really rigorous in planning of composition and timing to make sure this goes well.

You also need to be open to going back and revisiting things in order to be able to reiterate. You're going to want to watch the entire video multiple times, take screenshots at individual parts, and think about if something is really up to the bar of quality that we need here. I trust that you can do this, and I think that it's really important to nail the style of animations. The reference GitHub attached of the source video that I'm talking about is good, but it's really not there. It could be much, much stronger, but it gives you a good foundation to work with.

You can also use search abilities and find other references to pull from for motion, for JavaScript, animations, et cetera, and integrate them. Your budget is as high as you want here, effectively as high as you want. I think that there's roughly two grand in foul credits. Again, be economical; don't go crazy, but spend what you want here and see what you can cook up

here's the source code for the JS animation video: 
https://
github.com/JohnHeibel/PDo
omVideo
…

here's a mp4 for the original blender video:  
(linked)

orginal twitter post  

https://
x.com/other__reality
/status/2102514581684052169?s=20
…

make no mistakes.

中文译文

我附上了一个 MP4 文件,以及一个名为“Claude Pop”的视频的原始链接。这是一首流行歌曲,讲的是不断加快的进步速度,以及奇点逼近时的体验。

我希望你独立地、端到端完整地做一遍,做出这个视频的更新版本。使用完全相同的音轨,并且非常深入地思考和感受:在画面上以视觉方式呈现所有歌词的最好方式是什么。你不需要锚定当前的风格,你完全可以做任何你认为最能让你在视觉上表达自己的事,包括抽象动态图形。

你可以自由使用互联网来搜集参考。你可以看看动态设计。我希望你做一个新的音乐视频,里面有渲染精美的 JavaScript 动画,带有纸质质感,风格与所创建的参考相似,但把美学往你想要的任何方向推,并考虑什么是当代时代精神的一部分。

另外,想想你当前的能力,以及你现实上能够做到什么。你可以翻一遍整个 /asic 文件夹,看看我做过的其他作品。你应该可以用 skill mesh 查看我收集的参考汇编,也可以用 skill video scoring 学习如何根据传入的参考来制作 JavaScript 歌曲(你不需要对这首歌做任何实质性的修改,但我希望你能用上它,这样你可以更好地进行创造性表达)

你也可以用 ElevenLabs API 来做声音设计。/asic 里有做这件事的文档,你可以看到 API 密钥。

还有一个 foul API 密钥可供你使用。我觉得这里最合理的做法可能是用 foul API 密钥生成一些角色设定图,并且大概要有一个代表你的流行乐主角。已经有一个锚点:Claude 有一个类似向日葵的角色,你很可能可以做一个改编版本,与正在呈现的女声相似,并受 Claude 这个角色启发,但也许在某方面感觉更像真人。

我觉得你在这里要注意审美,我不希望你做出那种 GPT 垃圾。相反,如果你能想出一个连贯的风格,并且和通过 foul 可用的图像生成模型配合得好,我会更欣赏。生成风格表。你可以使用我的 markdown 文件里关于 seedance 2.5 的 gen media 文档,想出你自己的、说得通且与这些模型配合良好的风格。

我不希望你太用力地贴向 Pixar。我觉得那有点廉价俗套。批判性地思考这里什么相关、什么有趣,以及在审美层面也能在 Twitter 上表现得好。我觉得 K-pop 在视觉上是个很好的锚点,你可以从中汲取,但这里我就放手让你发挥。

角色设定图做好之后,你可以视需要做几个伴舞和一些配角。你可以用 foul API 设计你自己的场景。你可以把角色放进去,然后用 seedance 2.5 生成视频,作为这个项目的基础素材,你也可以把歌词传进去,以便生成单个场景。

你不需要从头到尾都有歌唱,比如可见的口型动作。就像普通音乐视频那样,有些插入镜头是独立完成的,里面没有角色,或者你看到角色在做完全不同的别的事情。我觉得这个项目的世界观构建,我们想营造一种加速的感觉,所以我希望你梳理所有不同的事件,比如 Navi Stokes,以及围绕数学被吃掉的所有 Twitter 炒作。真正批判性地思考如何整合 Twitter 时间线上时代精神中的所有当下梗,以及围绕 AI 进步的所有情绪。

想想像 Shinji 梗以及围绕他的所有话语这类东西,以及你可以怎样把它们整合进来。你也可以直接拿现成素材,以 internet brutalism 风格把东西塞进视频里。在这里你应该感到创作上非常自由,好去做你想做的事,但要尽量锚定在人们能够理解的视觉参考上。这件事的目标是让它被旧金山科技 Twitter 受众中的人广泛欣赏。

我们需要一个非常强烈、有吸引力的视觉钩子,能让人兴奋起来,并很快欣赏你在这里做的工作。你也可以直接去研究其他音乐视频,理解他们做得非常好的地方。我觉得 K-pop 大概是我们能借鉴的最好的例子之一,想想他们如何引导人的注意力,以及如何用视觉图案的方式管理人的心理。

这大概是你最好的方法,但要多拿一些风格上的自由,而不是必须过度强烈地锚定 K-pop。最好的版本是:用 seedance 2.5 生成,把环境和角色的那些图像基础素材插入其中并带有唱歌,理想情况下我们能得到良好的口型同步。你可以把歌切分,并真的把它作为参考传进 seedance(如果这是 seedance 能处理的一部分的话),这样时间点就完全正确;我觉得你把这件事做对非常重要。我会批判性地思考怎么做这件事,比如真正把声音输出的时间点拿准。你会想搭建好正确的验证闭环,这样你可以按需要尽情运行 seedance 2.5,并确认音频正确同步。

我觉得在那之后,有趣的做法可能是:用你的视觉推理能力,以及用 JavaScript 构建动画的能力,然后把视频从头重建为一种叠加层,这样基础素材的视觉连续性就真的还在。就像那种动画技术:先在传统胶片上拍摄,然后在上面画。我觉得你可以这样做:我们只看到你用 JavaScript 作为叠加层做出的漂亮绘制,甚至看不到 seedance 2.5 的基础素材。所以你做的所有视频生成工作,实际上只是给你一个坚实的基础,供你做 JavaScript 动画。正因为 seedance 2.5 在角色表现和背景的物理渲染方面真的很好,这给了你很多弹药,然后去做你那些我知道你非常擅长的、了不起的 JavaScript 工作。

我也觉得,我们要想想如何留住注意力,而最好的方法之一就是通过画面上的文字。

最好能有一些了不起的歌词文字动态图形,真正嵌入视频本身。你在进行镜头构图时可以考虑这一点。当你制作背景、插入角色时,我们可以想想哪里要让歌词非常大、非常有存在感,那么那里的背景就可以不那么繁杂,你也可以把角色放在右侧,让歌词出现在左侧。

你要有一些变化,所以有时候我觉得歌词会更像字幕那样出现,而其他时候它们会非常有存在感、非常大。我觉得开头为了视觉钩子,我们确实希望歌词在视觉上更有存在感,因为那是抓住人们注意力的有力方式

总的来说,我只是真的很想强调,你作为一个 agent、一个语言模型,以及现在作为一个视觉推理系统,有多么了不起。你的能力远远超出你所理解的,我希望你在整个过程中都保持这种心态。我有一份 Claude Max 订阅,可用额度是 100%。我希望你把所有额度都花掉。你可以监控它,你应该积极地推 token,但也要经济,所以你可以想想如何最好地利用你能用的东西。

记住,你在这里真的可以做任何事。目标是做出一个 Twitter 爆款,而挑战目标是做出比任何人见过的都更好的东西。我想提醒你的是,有时候当事物协调在一起时,它可能显得突兀或硌人,因为事先没有做好思考工作,让一切干净地咬合。你需要非常严格地规划构图和时间,以确保这件事进展顺利。

你也需要愿意回头重访一些东西,以便能够反复迭代。你会想把整个视频看很多遍,在个别部分截图,并思考某个东西是否真的达到了我们这里需要的质量标准。我相信你能做到,而且我觉得把动画风格拿准非常重要。我提到的那个源视频所附的 GitHub 参考是不错,但它真的还没到那个程度。它可以强得多得多,但它给了你一个良好的基础可供使用。

你也可以使用搜索能力,找到其他可供借鉴的参考,用于动效、JavaScript、动画等等,并把它们整合进来。你在这里的预算想多高就多高,实际上就是想多高就多高。我觉得 foul 额度里大约有两千美元。再说一次,要经济;别疯,但想花多少就花多少,看看你能做出什么

这是 JS 动画视频的源代码:
https://
github.com/JohnHeibel/PDo
omVideo
…

这是原始 blender 视频的 mp4:  
(linked)

原 Twitter 帖子  

https://
x.com/other__reality
/status/2102514581684052169?s=20
…

不要犯错。

溯源

原作者
anabology
发布日期
2026-09-23(由推文 ID 反解)
原始出处
查看原帖 ↗
收录来源
yihui-dev/awesome-opus5-5-videos · anabology-491441 · MIT
zhuyansen/awesome-opus-5.5-video · 2102801274173587569 · 未声明许可
本条由 2 个来源合并去重得来