動漫靜幀填槽：ERA×TIER 控時代質感

提示詞

2x2 grid, 16:9, do this for 4 underrated international scifi movies: // FN: anime_still(CHARACTER, SETTING, TIME, ERA, TIER, MOOD)

INPUT
  CHARACTER = $ infer
  SETTING   =  $ infer
  TIME      = $ infer
  ERA       = $ infer
  TIER      = $ infer
  MOOD      = $ infer

DISPATCH :: ERA → production reality
  1980-92 cel : hand-painted, RICH saturated paint, visible cel dust and fine
                scratches, slight registration wobble, 1 shadow step, dark
                brown-black line, painted BG with heavy brush texture
  1993-99 cel→digital : transitional, cleaner paint, 1–2 steps, first digital
                compositing, BG still painted, slight color banding
  2000-10 digital : flat digital paint, 2 steps common, rim light appears,
                BG digitally painted but still soft-edged and detailed
  2011+ digital : 2 steps + gradient allowed ONLY in the photography pass,
                heavy bloom and diffusion, BG photo-referenced, thin lines

DISPATCH :: TIER → detail budget (this is the realism lever)
  tv_weekly : minimal line count, simple shadow shapes, BG reused-looking,
              character held on 3s, no complex effects
  tv_premium: more line detail in key frames, 2-step shadow on the face
  film      : dense linework, complex shadow shapes following real anatomy,
              highly detailed BG, subtle effects layer, held poses are rare
  ova       : film detail, darker palette, more mature proportions

DISPATCH :: TIME → palette swatch set + shadow direction + photography grade
  morning        : cool blues and pale yellow, long shadows, clean bloom
  midday         : high-key, minimal shadow, saturated greens outside
  late_afternoon : warm ochre/rose BG, LONG horizontal shadows, heavy bloom
                   through windows, dust motes, orange gradient map over all
  dusk           : magenta-to-indigo BG, silhouettes, warm rim on one edge
  night          : deep blue-violet, cool shadow swatch, practicals as bloom
                   sources, character lit only where a light source justifies

INVARIANT LAWS  // do not vary with any input
  L_BG        : painted, NO outlines, MORE detail than the character
  L_LINE      : constant weight, tapered ends, dark brown not black for skin
  L_FILL      : flat, no gradient, no texture, no noise
  L_SHADOW    : hard-edged, {ERA.steps} step(s), a SEPARATE cooler swatch —
                not the base color multiplied. The boundary is a drawn line.
  L_HIGHLIGHT : flat, hard, sparse. Hair gets ONE band. Eye catchlight is a
                fixed shape that does NOT track the light source.
  L_FX        : drawn discrete elements, never particle simulation
  L_PHOTO     : the ONLY layer permitted soft gradients — bloom, diffusion,
                grade, grain, applied to the flattened stack

FORBIDDEN
  ✗ gradient shading on the character   ✗ soft shadow edges
  ✗ outlines on background elements     ✗ character out-detailing the BG
  ✗ line weight varying with light      ✗ per-pixel specular on skin
  ✗ photographic DOF on the BG (painted soft ≠ lens blur)

RENDER
  Anime still, {ERA.medium}, {TIER} production. {CHARACTER} in {SETTING},
  {TIME}. {TIME.palette}. Background painted with {L_BG}. Character in
  {L_LINE}, {L_FILL}, shadows as {ERA.steps} hard-edged step(s) in a cooler
  swatch with no soft falloff anywhere. {L_HIGHLIGHT}. {TIME.fx}.
  Over everything: {L_PHOTO}. {MOOD.pose_hold}.

AUDIT
  shadow_boundary_gradient ≈ 0px · shadow_steps == ERA.steps
  detail(BG) > detail(character) · line_weight_variance ≈ 0
  every soft gradient originates in L_PHOTO

中文翻譯

2x2 網格，16:9，爲 4 部被低估的國際科幻電影做這個： // FN: anime_still(CHARACTER, SETTING, TIME, ERA, TIER, MOOD)

輸入
  CHARACTER = $ infer
  SETTING   =  $ infer
  TIME      = $ infer
  ERA       = $ infer
  TIER      = $ infer
  MOOD      = $ infer

調度 :: ERA → 製作年代的真實感
  1980-92 cel : 手繪，濃鬱的高飽和顏料，可見的賽璐璐灰塵與細小
                劃痕，輕微對位抖動，1 級陰影，深棕黑
                線條，手繪 BG 帶厚重筆觸紋理
  1993-99 cel→digital : 過渡期，更乾淨的塗色，1–2 級陰影，首次數字
                合成，BG 仍爲手繪，輕微色帶
  2000-10 digital : 平塗數字上色，常見 2 級陰影，邊緣光出現，
                BG 爲數字繪製但仍有柔和邊緣與細節
  2011+ digital : 允許 2 級陰影 + 漸變，但僅在攝影後期環節，
                強烈光暈與柔化，BG 參考照片繪製，細線條

調度 :: TIER → 細節預算（這就是寫實程度的槓桿）
  tv_weekly : 線稿數量最少，簡單的陰影形狀，BG 看起來像重複使用，
              角色按 3 幀保持（on 3s），無複雜特效
  tv_premium: 關鍵幀中線條細節更多，面部 2 級陰影
  film      : 密集線稿，遵循真實解剖結構的複雜陰影形狀，
              高度細緻的 BG，細微效果層，很少保持停幀
  ova       : 電影級細節，更深色調，更成熟的體型比例

調度 :: TIME → 色板配色組 + 陰影方向 + 攝影調色
  morning        : 冷藍與淡黃，長陰影，乾淨光暈
  midday         : 高調，最少陰影，室外飽和綠
  late_afternoon : 暖赭石/玫瑰色 BG，長長的水平陰影，透過窗戶的
                   強烈光暈，浮塵，整體疊加橙色漸變映射
  dusk           : 品紅到靛藍的 BG，剪影，單側暖邊緣光
  night          : 深藍紫，冷色陰影配色，實用光源作爲光暈
                   來源，角色僅在有光源合理性處被照亮

不變法則  // 不隨任何輸入變化
  L_BG        : 手繪，無描邊，細節多於角色
  L_LINE      : 線寬恆定，末端收細，皮膚用深棕而非黑色
  L_FILL      : 平塗，無漸變，無紋理，無噪點
  L_SHADOW    : 硬邊，{ERA.steps} 級陰影，一個獨立的偏冷配色——
                不是基礎色相乘。邊界是一條畫出來的線。
  L_HIGHLIGHT : 平塗、硬邊、稀疏。頭髮只有一道高光帶。眼睛的高光
                形狀固定，不跟隨光源。
  L_FX        : 畫出來的離散元素，絕不是粒子模擬
  L_PHOTO     : 唯一允許柔和漸變的層——光暈、柔化、
                調色、顆粒，作用於合併後的畫面

禁止
  ✗ 角色上的漸變陰影   ✗ 柔和的陰影邊緣
  ✗ 背景元素上的描邊     ✗ 角色細節超過 BG
  ✗ 線寬隨光線變化      ✗ 皮膚上的逐像素鏡面高光
  ✗ BG 上的攝影景深虛化（手繪柔化 ≠ 鏡頭虛化）

渲染
  Anime still，{ERA.medium}，{TIER} 製作。{CHARACTER} 在 {SETTING}，
  {TIME}。{TIME.palette}。背景按 {L_BG} 繪製。角色爲
  {L_LINE}、{L_FILL}，陰影爲 {ERA.steps} 級硬邊
  偏冷配色，任何地方都沒有柔和衰減。{L_HIGHLIGHT}。{TIME.fx}。
  覆蓋在最上層：{L_PHOTO}。{MOOD.pose_hold}。

校驗
  shadow_boundary_gradient ≈ 0px · shadow_steps == ERA.steps
  detail(BG) > detail(character) · line_weight_variance ≈ 0
  每一處柔和漸變都源自 L_PHOTO

溯源

原作者

Gdgtify

發佈日期

2026-09-22

原始出處

查看原帖 ↗

收錄來源

xianyu110/awesome-gpt-image2.5 · 2102302629661647182 · MIT