疊穿コーデ 全套可替換 prompt

提示詞

Photorealistic fashion portrait of a single adult woman, vertical 2:3, strongly person-dominant.

POSE AND LEG GEOMETRY:
Sit lengthwise on a deep storefront bench. Keep the pelvis toward frame-right and extend both lower legs forward along the seat toward frame-lower-left.
The knees stay close together and bent, but both ankles are placed well forward of the knees instead of tucked underneath them.
Keep the knees in front of the lap rather than pulled back against the chest.
Show long descending shin lines: each knee-to-ankle segment slopes approximately 25–35 degrees toward frame-left from image vertical.
Both feet rest fully on the bench top, with complete sole contact and visible seating surface beneath them. Keep the feet inside the seat perimeter rather than hanging over its front.
Preserve natural anatomy and the rounded knee bends; do not substitute completely straight legs.

ANATOMICAL LEFT/RIGHT LOCK:
Keep the anatomical left leg nearer the camera and on frame-right within the pair. Keep the anatomical right leg farther from the camera and on frame-left.
Both legs remain uncrossed. The left foot sits slightly farther forward, appearing slightly lower in the image.
Rest the anatomical right elbow on the right knee through a slight forward torso inclination. The right palm supports the right cheek.
Gently tilt the head toward anatomical right, with a calm direct gaze.
The anatomical left forearm drapes diagonally across the knees; the left hand rests along the anatomical right shin, fingers directed toward the right ankle.
Do not mirror, reverse, or exchange these relationships.

CAMERA AND COMPOSITION:
Full-frame camera with a 45mm rectilinear lens.
Camera height approximately 1.60 meters and horizontal distance approximately 1.90 meters from the hips.
Front-left-quarter viewpoint, approximately 35 degrees toward anatomical left from frontal. Photograph across the bench’s outer long side, not straight along the legs.
Downward pitch approximately 24 degrees; roll 0 degrees; optical axis near the waist.
Keep the bench running from lower-left foreground to upper-right background.
Include the full seated figure and both feet at approximately 86–90% of frame height.
Aperture f/5.6, shutter 1/320 sec, ISO 200. Focus on the eyes, with both lower-leg directions and sole-to-seat contacts clearly readable.

WARDROBE-VISIBILITY NON-OPTIMIZATION:
Do not modify knee bends, forward leg extension, foot contacts, arm positions, torso orientation, camera azimuth, height, pitch, focal length, crop, or scale to reveal clothing, footwear, accessories, graphics, or hardware. Preserve natural concealment and original detail placement. Do not rotate the feet for display. The setting must fit the pose.

BACKGROUND AND LIGHTING:
A seaside gelato-shop veranda with a deep wooden or painted bench, pale cream walls, airy coastal trim, a large shop window, and restrained glimpses of blue sky and greenery at the arcade edge. Keep the coastal setting secondary rather than opening into a landscape. Clean coastal daylight and soft sky fill illuminate the face. Background signs are fictional and unreadable.PROTECTED WARDROBE RULE — HIGHEST PRIORITY: Treat each garment description below as its immutable final product identity. Preserve construction, parts, hardware, material, pattern, and every registered graphic or marking—its surface, side, orientation, scale, colors, content, spelling, and count. FINAL WORN STATE overrides only the scoped item's use, position, side, orientation, fastening, layering, folds, tucks, knots, and drape. A SOURCE GARMENT label describes the unstyled item, never the completed silhouette. Do not redesign, add, remove, mirror, duplicate, relocate, or redraw protected details.

Wardrobe:

Hair — final selected state: HAIR GEOMETRY AUTHORITY — Every selected axis below replaces the source hair geometry only on that axis; retain source geometry only for axes explicitly set to Preserve.
TEXTURE CHECKSUM — Straight. Form continuous root-to-tip straight strands with natural body and no wave, curl, or coil pattern. At normal portrait scale, smooth straight strand direction with natural body must remain readable across multiple visible strand groups; one gravity or gathering arc is allowed, but repeating S-waves, ringlets, tight coils, and frizz are not. FRINGE — Keep the exact selected fringe visibly straight with natural body; do not add an S-wave, ringlet, or tight coil pattern to it; apply this to every selected-fringe strand without changing its roots, density, coverage, part, direction, route, or endpoint. MAIN HAIR — apply the same texture consistently to every declared visible hair-bearing cut-excluded section, the complete root-to-anchor scalp lead-in, and the arrangement's final visible tail, bun, twist, or other gathered mass. Texture changes strand path and surface relief only; keep the selected cut silhouette, fringe route, arrangement topology, and endpoints, create no hair merely to display texture, and never texture a shaved or scalp-close skin field. Reject a hybrid result in which only a terminal tail, bun, crest, panel edge, or endpoint carries the selected straight texture while another visible hair-bearing domain remains wavy, curly, coily, or frizzy. GATHERED LAYER CHECK — apply straight strand behavior through every scalp-following route, gathered section, braid, tail, bun, or twist surface; do not release reachable hair merely to display underlying layer endpoints.
CUT VISUAL TARGET — RELEASED SOURCE REFERENCE FOR FULL ARRANGEMENT — Medium layers: Length — collarbone perimeter; Front — shorter jaw-to-upper-neck layer endpoints; Side — intermediate shoulder-side endpoints; Rear — connected upper-neck-to-collarbone progression; Dominant perimeter weight — lower collarbone length remains visible; Layer topology — connected increasing layers with readable front, side and rear endpoints.
FULL ARRANGEMENT CUT VISIBILITY — The released cut geometry is not a competing final hairstyle. Hide every released endpoint belonging to arrangement-assigned hair inside the final gathered structure. Keep the exact selected fringe, selected face framing, every cut-specific arrangement-excluded zone, and every scalp-close or shaved field visible exactly as declared; never hide those retained zones merely because the arrangement mode is full.
ARRANGEMENT VISUAL TARGET — Mid ponytail: Final worn silhouette — exactly one full-volume tail emerging from one middle-occipital center-back anchor; Underlying cut priority — CUT VISUAL TARGET and Cut describe only the source strand lengths and layer topology when fully released before styling; this full arrangement controls the final visible silhouette, so no arrangement-assigned released endpoint may remain visible merely to display the cut, length, or texture; Arrangement mass priority — include every physically reachable arrangement-assigned strand in the declared structure; no reachable assigned hair may remain as an undeclared parallel loose mass; Loose-hair boundary — outside the final gathered structure permit only the exact selected fringe, the exact selected face-framing sections, only structural zones explicitly excluded by the cut-specific arrangement scope, only selected-cut layers genuinely unable to reach their required anchor or local braid pickup; Every exception must stay inside its declared rooted cut zone and must not recreate a duplicate loose version of arrangement-assigned hair, a parallel long curtain, or an undeclared second mass; Reject — a high top-knot, low nape anchor, second tail, loose underlayer, parallel rear curtain, or detached tail; Straight texture — permitted loose exceptions and gathered lead-ins remain straight, with no S-wave, curl, or rippled loose sheet.
Front sections: Fringe — Form a sparse airy fringe from fine separated strands across the forehead, keeping the eyebrows readable and avoiding one solid blunt edge. Keep all wispy strands on the forehead; none becomes a separate face-framing tendril. Face framing — Release exactly one narrow continuous section rooted at each temple and curve it beside the corresponding temple or cheek, ending no lower than the jaw within the selected haircut's available length; create no additional wisps. Keep every face-framing section outside the hair assigned to the Mid ponytail and independently rooted from its main routed structure. Root ownership — The fringe uses only the frontal hairline zone; selected face-framing uses one separate narrow temple-rooted band; all other roots remain in the main cut.
Preserve the natural hairline and exact source hair colors, including roots, highlights, lowlights, accents, and gradients; preserve all unselected hair attributes.
Cut: RELEASED SOURCE REFERENCE FOR FULL ARRANGEMENT — When released, form connected collarbone-length medium layers. Keep the longest lower perimeter at both collarbones; let shorter crown and upper-side layers end around the jaw and upper neck, then pass through intermediate shoulder-side and rear tips in one readable cascade into the collarbone edge. Preserve balanced crown lift, visible jaw-to-upper-neck and shoulder transitions, and a softly weighted collarbone perimeter in the front, sides, and rear. Do not flatten the cut into a one-length lob or turn it into a choppy shag, wolf cut, or pointed nape. Keep one naturally rooted haircut with no retained longer source underlayer, extension, wig edge, or duplicate hair mass.
Arrangement: Arrangement-assigned hair excludes the exact selected fringe and selected face-framing sections. For this varied-length cut, assign every arrangement-assigned strand within the geometry-declared source that can reach its corresponding declared hairstyle anchor from its own root; evaluate reachability to that anchor, not against the complete route or the final tail, braid, bun, or twist length. Keep only strands genuinely too short to reach their corresponding anchor at their selected rooted zones, without extending or reclassifying them; those exceptions must not recreate a duplicate loose version of arrangement-assigned hair, a parallel long curtain, or an undeclared second mass. Use all arrangement-assigned hair; draw both sides symmetrically backward along the scalp toward the middle occipital area. At the hairstyle anchor, use one center-back anchor halfway between the nape hairline and crown apex; let exactly one tail emerge continuously from that base. leave no other free side or back section; create no high top-knot, low nape anchor, second tail, loose underlayer, or detached tail. The route, anchor, result, free-section, and integrity clauses apply only to arrangement-assigned hair; keep every cut-excluded structural zone in the final haircut state declared above.
Measure the selected length on fully extended strands only to calculate underlying source mass and route reachability before gathering; do not compensate for wave, curl, or coil shrinkage when calculating that source mass; the full arrangement, not the released endpoints, controls the final visible silhouette.
Apply the selected texture within the declared arrangement; do not release gathered hair merely to display length or texture.

Outerwear / layers:

A relaxed hip-length black varsity jacket with a dense matte wool-blend body, dropped shoulders and full black leather sleeves with a supple, softly grained sheen. A low black rib-knit stand collar, ribbed cuffs and a broad ribbed waistband frame the boxy shape. Silver-tone snaps close the front, with a closely spaced lower pair at the waistband, and diagonal welt pockets sit at both sides. Small white cursive embroidery reading "Don" sits on the wearer's right chest. The left chest carries a compact white composition reading "THE" above "Rally" in flowing slanted script; the terminal stroke sweeps into a white underline ribbon containing black serif capitals reading "SPORTS CAFE", with a split pointed tail at the ribbon's left end. The same composition appears much larger across the upper back, surrounded by generous black space. Smooth black satin lining completes the interior.

Final worn state:
- Layering: Final state: keep this garment the complete outer layer over the second selected Top item; open only its original center-front fastening run within existing endpoints. Preserve source neckline, collar, front/rear panels, selected shoulder, sleeve, and body positions, plus fastening inventory, receiver mapping, order, spacing, endpoints, and placket length; add, remove, move, or extend nothing. FINAL FASTENING STATE: change only the source-registered primary closure mechanism inside its exact original endpoints. Preserve that mechanism, all original parts, its source length, and the garment construction beyond both endpoints; do not reinterpret a seam, fold, rib, placket, or panel edge as an extension, and add, duplicate, remove, or relocate nothing. Only layer order, contact, occlusion, and optical transmission change. Every visible garment boundary follows the outer item's source geometry or separately selected fold-return line; inner contours remain optically behind it. Keep panel contact shallow. Relaxed handling within this same operation: Use light stable contact and broader material-correct ease without changing the selected layer order.

Top:

An oversized long crew-neck pullover in thick, loosely knitted mohair-blend yarn with a soft shaggy halo and visible stockinette stitches. The straight relaxed body reaches the upper thighs, with dropped shoulders and roomy long sleeves. Ten broad horizontal bands alternate dark chocolate brown and ivory across the torso in approximately equal widths, starting with a brown band interrupted by the neckline and ending with ivory at the hem. The same stripe scale continues around the back and along the sleeves, with softly feathered color boundaries. A brown ribbed crew neck, ivory ribbed cuffs and a broad ivory ribbed hem finish the knit.

A relaxed long light-blue cotton-poplin shirt with a crisp pointed collar on a narrow stand and a full front placket of small pale buttons. The lightly structured woven fabric forms a roomy straight body, long sleeves with buttoned cuffs and a simple back yoke. Rounded shirttails reach the upper thighs, rising at the side seams, with the two front tails separating below the final button. The fabric is plain and smooth throughout.

Final worn state:
For the second item description above only:
- Front closure: Final state: within the original center-front fastening run, disconnect only its upper approximately one-third; keep every original below connected in place. Preserve the source count, type, order, spacing, endpoints, and placket length; never extend the run toward the hem or add, duplicate, remove, or relocate any fastening or receiver FINAL FASTENING STATE: every selected closed position is physically connected to its matching receiver; every selected open position is visibly disconnected, and panel overlap does not imitate a fastening. Preserve the source-defined fastening count, type, spacing, endpoints, and placket length; do not extend the fastening run or add, duplicate, remove, or relocate any fastening or receiver. Change only the selected registered state and leave every unselected component and connection unchanged.
- Layering: Final state: place this garment underneath the first selected Top item across the upper body. the first selected Top item remains the outer garment and retains and owns its exact source neckline aperture and edge, armholes, panel connectivity, closure state, straps, sleeves, and selected final hem or fold-return line. This inner garment contributes appearance only through the outer material's existing optical apertures; no inner contour becomes an outer boundary. Only layer order, contact, occlusion, and optical transmission change. Every visible garment boundary follows the outer item's source geometry or separately selected fold-return line; inner contours remain optically behind it. Keep panel contact shallow. Natural handling within this same operation: Use soft stable contact with limited material-correct ease.

Bottom: Low-rise, close-fitting black hot pants in glossy stretch faux leather, with a smooth contoured waistband, shaped front and back panels, a fitted crotch and very short legs. Narrow stitched hems curve upward at the outer hips and beneath the seat, while subtle seam lines shape the opaque body. A concealed side zipper closes the waistband, keeping the exterior clean and unembellished.

Footwear: A pair of black lace-up platform sock boots with close-fitting rib-knit shafts rising above the ankles and broad ribbed cuffs. The knit continues down the sides and across the vamp beneath smooth black leather-look toe surrounds, heel counters and curved lace facings. Round black laces cross through small loops over knitted tongues, and rear pull tabs assist entry. Rounded closed toes sit above extremely thick black molded soles with sweeping wave-like ridges, angular projecting side blocks, a recessed arch and deep segmented tread. Stretch collars, adjustable lacing and cushioned insoles complete the boots.

Necklace: A silver-tone necklace made from medium-sized rounded oval cable links with open centers and softly polished edges. The links alternate in angle to form a supple, moderately substantial chain that falls in a shallow U at the upper chest. A small rear lobster clasp and short matching extension complete the necklace, with no pendant.

Earrings: A pair of large silver-tone hoop earrings made from slender smooth round wire. The polished circular hoops have open centers and a light, undecorated profile, with small hinged posts closing discreetly at the earlobes.

中文翻譯

寫實風格的時尚人像，畫面中僅有一位成年女性，豎構圖 2:3，人物高度主導畫面。

姿勢與腿部幾何結構：
沿縱深方向坐在一條較深的店面長椅上。骨盆朝畫面右側，雙腿小腿沿座面向前伸展，指向畫面左下。
雙膝保持併攏且彎曲，但兩隻腳踝都放在膝蓋前方較遠處，而不是收在膝蓋下方。
讓膝蓋位於大腿前方，而不是向後收攏貼向胸部。
呈現出向下延展的小腿線條：每一段從膝到踝的線段相對畫面垂直線向畫面左側傾斜約 25–35 度。
雙腳完全踩在長椅座面上，腳掌整體貼合，腳下可見座面。雙腳保持在座面範圍內，不要懸在座面前緣外。
保持自然的人體結構和圓潤的膝彎，不要改成完全筆直的腿。

解剖學左右鎖定：
在兩條腿中，解剖學左腿應更靠近鏡頭並位於畫面右側；解剖學右腿應更遠離鏡頭並位於畫面左側。
雙腿保持不交叉。左腳略微更靠前，在畫面中顯得略低。
軀幹略微前傾，讓解剖學右肘搭在右膝上。右掌托住右臉頰。
頭部朝解剖學右側輕微傾斜，目光平靜直視。
解剖學左前臂斜搭在雙膝上；左手貼放在解剖學右小腿上，手指指向右腳踝。
不要鏡像、反轉或互換這些關係。

相機與構圖：
使用全畫幅相機搭配 45mm 直線校正鏡頭。
相機高度約 1.60 米，距髖部水平距離約 1.90 米。
採用左前方四分之三視角，相對正面朝解剖學左側約 35 度。橫跨長椅外側長邊拍攝，不要沿雙腿方向正對拍攝。
俯仰角向下約 24 度；滾轉 0 度；光軸對準腰部附近。
長椅從畫面左下前景延伸至右上背景。
完整納入坐姿人物與雙腳，人物佔畫面高度約 86–90%。
光圈 f/5.6，快門 1/320 秒，ISO 200。對焦在眼睛上，同時保證兩條小腿的朝向與腳掌同座面的接觸關係清晰可辨。

服裝可見性非優化原則：
不得爲了露出服裝、鞋履、配飾、圖案或五金而改變膝彎、小腿前伸、腳部接觸、手臂位置、軀幹朝向、相機方位角、高度、俯仰、焦距、裁切或縮放。保持自然的遮擋關係與原始細節位置。不要爲了展示而旋轉雙腳。場景必須服從姿勢。

背景與光線：
海邊意式冰淇淋店的露臺，配一條深色木質或塗漆長椅、淺奶油色牆面、輕盈的海岸風格飾邊、一扇大櫥窗，拱廊邊緣僅隱約露出藍天與綠植。海岸環境保持爲次要元素，不要展開成大景觀。乾淨的海岸日光與柔和的天空補光照亮面部。背景招牌爲虛構內容且不可辨認。受保護的服裝規則——最高優先級：將下方每一件服裝描述視爲其不可更改的最終產品身份。保留其結構、部件、五金、材質、圖案，以及每一個已登記的圖形或標記——包括其表面、所在側、方向、比例、顏色、內容、拼寫與數量。最終穿着狀態僅覆蓋該條目範圍內的用途、位置、所在側、方向、扣合、疊穿、褶皺、塞入、打結與垂墜方式。SOURCE GARMENT（源服裝）標籤描述的是未做造型的單品，絕不是最終輪廓。不得重新設計、添加、刪除、鏡像、複製、移動或重繪受保護的細節。

服裝：

頭髮 — 最終選定狀態：頭髮幾何結構權威設定 — 下方每一個被選定的軸向只在該軸向上替換源頭髮幾何結構；僅對明確設爲“保持”（Preserve）的軸向保留源幾何結構。
紋理校驗 — 直髮。形成從髮根到髮梢連續的直髮髮絲，具有自然厚度，無波浪、捲曲或螺旋紋理。在正常肖像比例下，順直的走向配合自然厚度必須在多個可見髮束組中都清晰可辨；允許出現一處受重力或束髮形成的弧線，但不允許重複的 S 形波浪、小卷、緊密螺旋卷與毛躁。劉海 — 保持所選劉海的精確形態，可見地順直並具有自然厚度；不要給劉海添加 S 形波浪、小卷或緊密螺旋卷；將此應用於每一根所選劉海髮絲，不改變其髮根、密度、覆蓋範圍、分縫、方向、走向或端點。主發區 — 對每一處已聲明的、可見且承載頭發的“剪髮排除”區域、從髮根到錨點的整段貼頭皮過渡區，以及造型最終可見的馬尾、丸子、扭發或其他收攏發團，一致地應用相同紋理。紋理只改變髮絲路徑與表面起伏；保持所選剪髮輪廓、劉海走向、造型拓撲結構與端點，不要僅爲展示紋理而生成頭髮，也絕不要對剃光或貼頭皮的皮膚區域做髮絲紋理。拒絕混合結果：只有末端尾發、丸子、冠狀束、發片邊緣或端點帶有選定的直髮紋理，而另一處可見的含發區域仍爲波浪、捲曲、螺旋卷或毛躁。收攏層檢查 — 在每一段貼頭皮走向、收攏區、編髮、馬尾、丸子或扭發表面都應用直發行爲；不要僅爲展示下層發層端點而放出可達的頭髮。
剪髮視覺目標 — 完整收攏造型下的散開源參照 — 中長層次：長度 — 鎖骨線輪廓；前側 — 較短的從下頜到上頸部層次的端點；側部 — 介於兩者之間的肩側端點；後側 — 由上頸部到鎖骨相連的漸進過渡；主導輪廓重量 — 鎖骨下方長度保持可見；層次拓撲 — 相連的遞增層次，前、側、後端點清晰可辨。
完整收攏造型下的剪髮可見性 — 散開的剪髮幾何結構不是與之競爭的另一款最終髮型。將屬於收攏造型所指派頭發的每一個散開端點隱藏在最終收攏結構內部。精確保持所選劉海、所選面部修飾發、每一個剪髮專屬的造型排除區，以及每一處貼頭皮或剃光區域，與聲明完全一致地可見；絕不要僅僅因爲造型模式爲“完整收攏”就隱藏這些保留區域。
造型視覺目標 — 中馬尾：最終穿着輪廓 — 從枕骨中部正後方的一個錨點只伸出一條飽滿髮量的馬尾；底層剪髮優先級 — 剪髮視覺目標與剪髮描述僅在造型前完全散開時描述源髮絲長度與層次拓撲；該完整收攏造型決定最終可見輪廓，因此不能讓任何屬於收攏造型的散開端點僅僅爲了展示剪髮、長度或紋理而保持可見；收攏髮量優先級 — 將每一根物理上可達的收攏指派髮絲都納入聲明的結構中；任何可達的指派頭髮都不得作爲未聲明的平行鬆散發團留存；散發邊界 — 在最終收攏結構之外，只允許精確的所選劉海、精確的所選面部修飾發區、剪髮專屬造型範圍明確排除的結構區，以及所選剪髮層次中確實無法到達其所需錨點或局部編髮抓取點的部分；每一處例外都必須留在其已聲明的髮根剪髮區內，且不得重新製造出收攏指派頭發的重複鬆散版本、平行的長髮簾或未聲明的第二個發團；拒絕 — 高丸子頭、低頸後錨點、第二馬尾、鬆散內層、平行後發簾或脫離的髮尾；直髮紋理 — 允許的散發例外與收攏過渡區保持順直，不得出現 S 形波浪、捲曲或波紋狀鬆散發片。
前區：劉海 — 用細而分離的髮絲在前額形成稀疏輕盈的劉海，保持眉毛清晰可見，避免形成一整片厚實的齊平邊緣。所有細碎髮絲都留在前額上，任何一根都不要變成獨立的面部修飾發綹。面部修飾發 — 在兩側太陽穴各放出一束精確的、窄而連續的髮束，沿對應太陽穴或臉頰彎曲，在所選髮型可用長度內終止位置不低過下頜；不要額外製造細碎髮絲。讓每一束面部修飾發都位於指派給中馬尾的頭髮之外，並從其主要走向結構上獨立生根。髮根歸屬 — 劉海只使用前髮際線區域；所選面部修飾發使用一條獨立的、以太陽穴爲髮根的窄髮帶；其餘所有髮根都留在主剪髮區內。
保持自然髮際線與源頭發的精確顏色，包括髮根、挑染、暗染、點綴色與漸變；保持所有未被選定的頭髮屬性。
剪髮：完整收攏造型下的散開源參照 — 散開時形成相連的鎖骨長度中長層次。最長的下緣保持在兩側鎖骨處；較短的頭頂與上側部層次在下頜與上頸部附近結束，再經由肩側與後側的中間髮梢，以一串清晰可辨的層疊過渡匯入鎖骨邊緣。保持頭頂蓬鬆度均衡、下頜到上頸部與肩部的過渡可見，以及前、側、後三面鎖骨輪廓的柔和重量感。不要把髮型壓平成一刀切的長波波頭，也不要變成參差不齊的碎層 shag（長碎層）、狼尾剪（wolf cut）或尖細的頸後髮尾。保持一款自然生根的剪髮，不得保留更長的源內層、接發、假髮邊緣或重複的發團。
收攏造型：收攏指派頭髮不包括精確的所選劉海與所選面部修飾發區。對於這款長度不一的剪髮，在幾何結構所聲明的源發中，將每一根能夠從自身髮根到達其對應已聲明髮型錨點的髮絲都納入指派；可達性以該錨點爲判斷標準，而不是以完整走向或最終馬尾、編髮、丸子或扭發的長度爲標準。只在各自所選髮根區內保留確實短到無法到達對應錨點的髮絲，不得拉長或重新歸類它們；這些例外不得重新製造出收攏指派頭發的重複鬆散版本、平行的長髮簾或未聲明的第二個發團。使用全部收攏指派頭髮；將兩側沿頭皮對稱地向後梳向枕骨中部區域。在髮型錨點處，使用一個位於頸後髮際線與頭頂最高點正中間的正後方錨點；從該基座連續地只伸出一條馬尾。不要留下其他自由散落的側區或後區；不要製造高丸子頭、低頸後錨點、第二馬尾、鬆散內層或脫離的髮尾。走向、錨點、結果、自由發區與完整性條款僅適用於收攏指派頭髮；將每一處剪髮排除的結構區保持爲上方聲明的最終剪髮狀態。
僅在完全拉直的髮絲上測量所選長度，以在收攏前計算底層源髮量與走向可達性；計算該源髮量時不要補償波浪、捲曲或螺旋卷造成的縮短；決定最終可見輪廓的是完整收攏造型，而不是散開的端點。
在聲明的收攏造型內應用所選紋理；不要僅爲展示長度或紋理而放出已收攏的頭髮。

外套 / 疊穿層：

一件寬鬆的及臀黑色學院風夾克（varsity jacket），衣身採用厚實的啞光羊毛混紡面料，落肩設計，整條袖子爲黑色皮革，質地柔軟、帶有細膩的粒面光澤。低矮的黑色羅紋立領、羅紋袖口與寬幅羅紋下襬勾勒出方正廓形。銀色按扣閉合前襟，下襬處有一對間距較近的按扣，兩側各有一個斜向嵌線口袋。穿着者右胸有一處白色小字草寫刺繡，內容爲 "Don"。左胸有一組緊湊的白色圖案文字：上方爲 "THE"，下方爲流暢斜體手寫體的 "Rally"；末筆掃出並延展成一條白色下劃線綬帶，綬帶內爲黑色襯線大寫字母 "SPORTS CAFE"，綬帶左端有一個分叉的尖角尾。同一組圖案以更大尺寸出現在上背部，四周留有大面積黑色空白。內部以光滑的黑色緞面裏布收尾。

最終穿着狀態：
- 疊穿：最終狀態：在第二件所選上裝之外，將本件作爲完整的外層；僅在原有前中扣合行程的既有端點範圍內將其打開。保持源領口、衣領、前/後片、所選肩部、袖子與衣身位置，以及扣合件清單、對應扣位映射、順序、間距、端點與門襟長度；不得增加、移除、移動或延長任何部分。最終扣合狀態：僅在精確的原始端點範圍內改變源登記的主閉合機構。保持該機構、所有原始部件、其源長度以及兩端點之外的服裝結構；不要把接縫、褶襉、羅紋、門襟或衣片邊緣重新解釋爲延長部分，也不得增加、複製、移除或移動任何部件。只有疊穿順序、接觸、遮擋與光學透射發生變化。每一處可見的服裝邊界都遵循外層單品的源幾何結構或另行選定的翻折線；內層輪廓在光學上仍位於其後方。保持衣片接觸淺薄。同一操作內的鬆弛處理：使用輕微而穩定的接觸與更寬裕的、符合材質的活動量，不改變所選疊穿順序。

上裝：

一件超大版型的長款圓領套頭毛衣，採用粗支、鬆散編織的馬海毛混紡紗線，帶有柔軟的蓬毛光暈與清晰可見的平針針目。平直寬鬆的衣身垂至上大腿，落肩設計，袖子寬鬆且偏長。軀幹上有十條寬幅橫向條紋，深巧克力棕與象牙白以大致相等的寬度交替；起始的棕色條紋被領口打斷，下襬以象牙白結束。相同的條紋比例延續到背後與袖子，顏色交界處柔和羽化。棕色羅紋圓領、象牙白羅紋袖口與寬幅象牙白羅紋下襬完成整件針織衫。

一件寬鬆的長款淺藍色棉質府綢襯衫，窄立領座上配有挺括的尖領，前襟爲完整門襟，綴有一排淺色小紐扣。略帶骨架感的梭織面料形成寬鬆平直的衣身、帶紐扣袖口的長袖與簡潔的後過肩。圓弧形襯衫下襬垂至上大腿，在側縫處上提，前襟兩片下襬在最下方紐扣之下分開。整件面料素淨光滑。

最終穿着狀態：
僅針對上方第二件單品的描述：
- 前襟閉合：最終狀態：在原有前中扣合行程內，僅斷開上方約三分之一；下方每一處原有扣合保持連接原位。保持源扣合數量、類型、順序、間距、端點與門襟長度；絕不要將扣合行程向下襬方向延長，也不得增加、複製、移除或移動任何扣合件或扣位。最終扣合狀態：每一個所選閉合位置都與其對應扣位物理連接；每一個所選打開位置都可見地斷開，且衣片重疊不得僞裝成扣合。保持源定義的扣合數量、類型、間距、端點與門襟長度；不要延長扣合行程，也不得增加、複製、移除或移動任何扣合件或扣位。只改變所選登記狀態，保持每一處未選部件與連接不變。
- 疊穿：最終狀態：將本件穿上身時置於第一件所選上裝之下。第一件所選上裝仍爲外層衣物，並保留且擁有其精確的源領口開口與邊緣、袖窿、衣片連接關係、閉合狀態、肩帶、袖子，以及所選最終下襬或翻折線。本內層單品僅通過外層材質既有的光學開口貢獻外觀；任何內層輪廓都不會成爲外邊界。只有疊穿順序、接觸、遮擋與光學透射發生變化。每一處可見的服裝邊界都遵循外層單品的源幾何結構或另行選定的翻折線；內層輪廓在光學上仍位於其後方。保持衣片接觸淺薄。同一操作內的自然處理：使用柔和穩定的接觸與有限的、符合材質的活動量。

下裝：低腰緊身黑色熱褲，採用有光澤的彈力仿皮材質，配平滑貼合的腰頭、經過塑形的前後片、貼合的襠部與極短的褲腿。窄幅車縫下襬在髖外側與臀下向上彎起，細微的縫線勾勒出不透光的衣身。隱藏式側拉鏈閉合腰頭，使外觀保持乾淨無裝飾。

鞋履：一雙黑色繫帶厚底襪靴（sock boots），貼合腳踝的羅紋針織靴筒向上延伸，配有寬幅羅紋靴口。針織面料沿兩側向下延伸並覆蓋鞋面中部，其上覆有光滑的黑色仿皮包頭、後跟穩定片與弧形繫帶片。圓形黑色鞋帶穿過針織鞋舌上方的小環交叉系合，後跟拉環便於穿入。圓潤的封閉鞋頭位於極厚的黑色模壓鞋底之上，鞋底帶有流暢的波浪狀凸脊、棱角分明的側向凸塊、內凹的足弓與深的分段式大底紋路。彈性靴口、可調節繫帶與緩震鞋墊構成整雙靴子。

項鍊：一條銀色項鍊，由中等大小的圓潤橢圓形電纜鏈環構成，鏈環中心鏤空、邊緣經柔和拋光。鏈環以交替角度相接，形成柔軟且略有分量的鏈條，在上胸處呈淺 U 形垂落。後方配有一個小型龍蝦扣與一段短的配套延長鏈，無吊墜。

耳環：一對大號銀色圈形耳環，由纖細光滑的圓線製成。拋光圓環中心鏤空，輪廓輕盈且無裝飾，小型鉸鏈耳針在耳垂處低調閉合。

溯源

原作者

MoodLock_JP

發佈日期

2026-09-10

原始出處

查看原帖 ↗

收錄來源

xianyu110/awesome-gpt-image2.5 · 2097937963523145829 · MIT