Seedance 2.0 Mini 电影级护送战斗提示词

提示词

Cinematic photorealistic texture, pure ancient Chinese Xianxia action film, 15 seconds, 16:9, Seedance 2.0 Mini.
This round is not a stationary duel, nor does it continue to repeat the old pattern of "switch to a new weapon → protagonist studies → counter → sword stops at throat".
The core action motif is:
A mobile escort battle occurring on the real high-altitude imperial road shown in the current reference image.
The same Senior Sister and Junior Sister must continuously advance forward while protecting the injured Master, disciples, and ordinary people evacuating behind them.
The enemies' true goal is not necessarily to defeat the two protagonists.
What they want to do is:
Break through the defensive line formed by the two protagonists;
Cut into the evacuating crowd;
Seal off the path for continued advancement.
Therefore, the core of this entire battle is:
**Break the blockade ahead
Block pursuers behind
The two protagonists continuously swap front and back positions
Always reopen the path.**
Actions pursue silkiness but must never be soft.
Silkiness means:
The previous action naturally leads to the next;
Characters are always moving;
Attack and defense never reset to zero;
Weapon direction and character direction are always understandable;
After cuts, one still knows who is in front, who is behind, and who is attacking from where.
Power comes from:
Sudden initiation;
Obvious acceleration;
Real collisions;
Center of gravity changes;
Force offsets;
Imbalance;
Inertia;
Counter-grabs;
Hard stops;
Immediate restarts.
Prohibit soft, dance-like swordsmanship.
Prohibit resetting poses after striking once.
Enemies must have real judgment.
After the first strategy fails, they must change targets, attack routes, pursue, seal paths, flank, or actively separate the two protagonists.
Prohibit enemies lining up to offer attacks.
[Core Character Lock]
Strictly lock only @Image 1 and @Image 2 as the two core protagonists along with their respective primary weapons.
@Image 1 is always the same Sword Immortal Senior Sister as before:
Same adult East Asian female identity;
25–30 years old;
Same face;
Black long hair half-tied;
White jade hairpin;
Tall and slender proportions;
White embroidered silk Hanfu;
Semi-transparent layered wide sleeves;
Silver waist sash;
Jade pendant;
White cloth boots;
The only silver straight sword in the entire film.
@Image 2 is always the same Junior Sister as before:
Same adult East Asian female identity;
20–25 years old;
Same face;
Black braided hair;
Petite proportions;
Cyan-green linen Hanfu;
Dark belt;
Wooden hairpin;
Black cloth shoes;
The only dark steel sword in the entire film.
Enemies, Masters, disciples, ordinary people, and bystanders are all merely functional supporting characters.
Do not waste generation attention strictly locking supporting characters' faces, hairstyles, and complex clothing.
Just ensure that character types, positions, weapons, and action functions remain logically continuous within the shot.
[Round-Specific Scene Hard Anchor | Highest Priority]
The uploaded background reference for this round already displays a complete, highly recognizable location.
Therefore, this round directly enters:
HARD LOCATION ANCHOR.
The reference image is not style inspiration.
The entire video must truly take place on the same high-altitude celestial palace imperial road shown in the reference image.
Prohibit redesigning it into a "similar Xianxia location".
Must continuously maintain the following location identities:
The central axis of the frame always contains the same extremely long, straight, pale white high-altitude imperial road, extending from the foreground towards the distant center.
The imperial road always maintains obvious narrow depth; characters primarily move along the front-back direction; prohibit expanding it into a circular arena, huge courtyard, or wide plaza.
The left and right sides of the imperial road always maintain the same massive high-altitude drop, milky white sea of clouds, and continuous large waterfalls.
The mid-ground left and right continue to contain the same group of huge traditional palaces, maintaining original left-right positions, volume, and spatial relationship with the imperial road.
The left foreground continues to retain the same extremely prominent large dark cantilevered wooden structure building; dense wood structures must not disappear or shrink into ordinary small buildings.
Below the imperial road and under the mist, continue to maintain the same scale of dense ancient city.
The farthest center continues to contain the same giant mountain body / superstructure.
The distant center continues to retain the same huge ring-shaped gate / ring building.
Characters are always much smaller than the imperial road, palaces, waterfalls, underlying city, and distant superstructures.
Maintain the same bright cool white-grey, pale warm gold, low saturation daytime/morning light, milky white air haze, and huge depth as the original reference image.
The distant huge ring must always remain very far away.
Prohibit suddenly pulling it closer to become an ordinary mountain gate.
Prohibit regenerating the current imperial road into:
Circular arena;
Ordinary courtyard;
Wide plaza;
Another cloud bridge;
New floating platform;
New mountain gate;
New floating island;
New cliff;
New palace entrance;
New large staircase.
Prohibit suddenly widening the imperial road for convenient combat.
Prohibit day turning into night.
Prohibit replacing current soft weather with stormy dark clouds.
All actions and cameras must adapt to the current real imperial road.
Prohibit redesigning the scene for the sake of action.
[Background Dynamics | Must be alive, but default non-participatory in plot]
Scene continuously moves naturally.
Distant clouds slowly move.
Huge waterfalls continuously fall realistically downwards.
Water mist at the bottom of waterfalls continuously swirls and merges with the existing sea of clouds.
Cloud layers and fog layers at different distances maintain slightly different speeds, creating realistic parallax.
High-altitude natural wind continuously affects the black hair, wide sleeves, hem, tassels, and accessories of the two protagonists.
Thin mist between the distant ancient city and palaces continuously moves slowly.
Atmospheric perspective continuously produces subtle changes.
A few distant figures can naturally move within areas already existing in the reference image.
However:
The environment is narratively neutral by default.
Waterfalls cannot suddenly help anyone.
Mist cannot actively obscure enemies.
Wind cannot change sword paths.
Buildings cannot collapse on their own.
The imperial road cannot break.
The distant ring cannot suddenly activate spells.
The environment cannot actively resolve combat.
Only when characters truly step, hard stop, or collide with weapons, allow slight stone dust, scratches, metal sparks, fabric displacement, and sole friction debris.
Already appearing obvious traces should reasonably persist.
[0–5s | Hook: Cannot Retreat]
0.0–1.0s.
Use 24mm ultra-wide angle central axis grand panorama.
First reproduce the location; location priority is higher than complex action.
The first glance must confirm:
The same long white imperial road;
Same huge waterfalls on left and right;
Same large palaces on left and right;
Same huge wooden structure on the left;
Same ancient city below;
Same huge distant ring.
The two protagonists maintain small scale within the huge environment.
Senior Sister is in front.
Junior Sister is half a step behind.
Further back at a distance, an injured elderly Master, several disciples, and a few ordinary people are continuing to advance along the same imperial road.
Two enemy swordsmen block the path ahead.
The leading enemy blocks the effective passage area with a horizontal sword:
"Protecting them, you can't pass."
Senior Sister does not stop at all:
"Who said we were retreating?"
As soon as the last word falls.
The enemy launches without warning.
The camera immediately transitions from fixed grand panorama to approx. 32–35mm tracking shot retreating along the imperial road axis.
The first enemy quickly seizes Senior Sister's center line.
Senior Sister never retreats backwards.
Until the last moment, she only shifts diagonally by half a body width, using the same silver straight sword to complete a short, hard, real collision, pushing the enemy sword out of the imperial road's central axis.
No follow-up strike.
No posing.
She immediately continues forward past the enemy's shoulder.
Almost simultaneously.
The second enemy cuts towards Junior Sister from the opposite direction, trying to bypass her to attack the crowd behind.
Junior Sister does not chase enemies wildly.
She directly rushes into the position between the enemy and the evacuating crowd, only briefly changing the opponent's attack line with the dark steel sword, then continues forward.
An enemy passes quickly near the camera, body instantly filling the screen, forming the first natural hidden cut.
By the end of 0–5 seconds, the audience must clearly understand:
They are not staying to win.
They are reclaiming the path.
[5–10s | Upgrade: Enemies Start Attacking True Targets]
Maintain completely identical imperial road, left/right palaces, waterfalls, distant ring, and world scale.
Use approx. 35mm medium shot tracking moving along the bridge axis.
After the first attack fails, enemies must proactively change strategy.
The enemy leader no longer insists on winning head-to-head against Senior Sister.
He suddenly changes target, actively trying to bypass Senior Sister, cutting between Junior Sister and the evacuating crowd.
Another enemy simultaneously presses Senior Sister from the opposite direction, trying to truly separate the two protagonists.
Actions form a continuous causal chain:
Enemy horizontal slash forces Senior Sister to briefly deviate from the imperial road center line;
Senior Sister only performs one brief force release, not continuing entanglement;
The impact inertia already invested by the enemy causes their body to slightly overshoot the optimal attack position;
Junior Sister continues forward.
The leading enemy suddenly cuts diagonally from Junior Sister's right front.
Junior Sister catches the first strike.
The enemy does not pause, immediately changing to a second low-position attack.
Junior Sister is forced to shrink half a step towards the imperial road center line.
Just at the moment the enemy judges she has been sealed off ——
Senior Sister suddenly rushes fast from behind Junior Sister to the other side.
The two complete the first extremely fast front-back position exchange.
Not a double rotation.
Not a synchronized pose.
But a compact shoulder-crossing position swap while maintaining forward motion.
Senior Sister directly takes over the enemy originally pressing Junior Sister.
Junior Sister continues forward along the half-path opened up, becoming the new front position.
The camera only performs a short lateral move due to the two's real position swap.
An enemy sword grazes past the lens, forming a natural occlusion transition.
Prohibit unreasoned orbiting.
At this moment.
High-speed pursuit footsteps come from behind.
A functional pursuer originally falling further back has arrived.
Someone blocking the path ahead.
Someone pursuing from behind.
The two women are truly trapped for the first time in the most dangerous situation of the narrow imperial road:
Front and rear pincer attack.
[10–15s | Flip: Don't Guard People, Guard the Path]
Re-widen to approx. 28–32mm moving medium shot.
Use nearly 1 second to fully explain current space:
Junior Sister is in front;
Senior Sister is about one body length behind;
Front enemy leader reoccupies center line;
Rear pursuers approaching fast;
Evacuating Master, disciples, and ordinary people are still moving in safer positions further away.
Everyone remains on the same real imperial road from the reference image.
Prohibit suddenly cutting to other platforms.
Front enemies and rear pursuers launch almost simultaneously.
Junior Sister instinctively wants to turn back.
Senior Sister only says:
"Don't guard me."
Junior Sister stops turning back.
Senior Sister immediately follows with:
"Guard the path."
The two explode almost simultaneously.
Junior Sister does not turn back to save Senior Sister.
She continues forward, using a short and hard dark steel sword collision to forcibly push the front enemy's blade edge out of the imperial road's central axis.
Senior Sister simultaneously handles the rear pursuer.
She intentionally yields half a step, letting the enemy truly enter attack range.
Just at the moment the opponent's body strength has been invested, she suddenly cuts diagonally out of the attack axis.
The pursuer's own forward momentum causes their body to overshoot by half a body length.
Senior Sister does not chase.
Immediately accelerates forward again.
At this moment, Junior Sister has already pushed the front enemy half a body length away from the center line.
The two protagonists approach at high speed.
Shoulder lines graze at extremely close distance.
Complete the second front-back position exchange.
This time, they don't look at each other at all.
Junior Sister naturally falls to the rear position, taking over the enemy who has turned around to pursue again.
Senior Sister becomes the front position again, facing the leading enemy still blocking the path.
An enemy sword sweeps across the camera foreground, instantly filling the screen, forming the most explicit weapon-occlusion hard cut of the whole film.
Cut to a slightly lower reverse camera position.
Senior Sister only performs one extremely short, extremely fierce outward deflection with the silver sword.
The leader's sword path is thoroughly pushed out of the imperial road's central axis.
Because his body weight was already invested forward, his own inertia carries his body sideways by about two body lengths.
Enemies cannot fall off the bridge.
Cannot be exaggeratedly blown away.
Do not need to completely lose combat ability.
Just opening the path is enough.
Senior Sister and Junior Sister absolutely do not stop to deliver finishing blows.
The two pass directly between the enemies, continuing along the same white imperial road towards the distant huge ring.
The rear evacuating crowd also begins to advance along the reopened route.
The enemy leader turns back and shouts angrily:
"You can't win!"
Do not cut to heroic frontal close-ups.
The camera continues to follow the two women advancing from the side-rear.
Junior Sister is still adjusting her breathing:
"We were never here to win."
Senior Sister always looks at the road ahead:
"As long as the road is there, that's enough."
Leave only an extremely short beat.
Deeper down the same distant imperial road, several functional enemies originally existing in the distant figure layer begin to slowly spread out, entering next-round path-blocking positions.
Prohibit generating them from thin air in the mist.
Prohibit refreshing them suddenly from buildings.
They existed in the real distance from the beginning, only revealing hostility through movement at this moment.
The two protagonists do not slow down at all.
Silver sword and dark steel sword maintain natural low-position readiness.
The camera continues to retreat along the imperial road axis.
Black hair, hems, waterfalls, mist, clouds, distant palaces, and the huge world always move naturally.
In the state where the two are still actively walking towards the next batch of enemies:
Direct cut to black.
[Camera & Editing]
Three narrative segments, but absolutely not mechanically equal to three shots.
The whole film uses a small amount of truly functional cuts.
Main camera routes:
24mm central axis grand panorama confirming real location → 32–35mm tracking retreating along existing imperial road axis → Human body passing lens forms hidden cut → Weapon grazing lens forms occlusion cut → When front-rear pincer occurs, re-widen shot to explain space → Finally side-rear continuously following two protagonists advancing towards distant ring.
All cuts can only be triggered naturally by the following events:
Character occlusion;
Weapon occlusion;
Real weapon collision;
Obvious change in movement direction;
Obvious body imbalance;
Sudden change in speed.
Prohibit mechanical fragmented cutting.
Prohibit camera being more restless than the action.
Prohibit meaningless ORBIT.
Prohibit changing positions of imperial road, palaces, waterfalls, and distant rings for camera movement.
Action drives the camera.
The camera cannot drive scene deformation.
[Sound]
Opening first establishes:
High-altitude natural wind;
Low-frequency rumble of huge waterfalls existing continuously at a distance;
Footsteps on light-colored stone imperial road;
Extremely distant ancient city environmental noise floor.
After combat explosion add:
Short sharp sword wind-breaking;
Hard, sharp metal collisions;
Shoe sole friction;
Silk fabric twitching;
Fast footsteps of pursuers;
Gradually heavyening character breathing.
When front-rear pincer forms, temporarily lower music and wide environmental sound field.
Highlight:
Footsteps;
Breathing;
Weapon directions.
After the path is reopened, combat sounds gradually fade behind the characters.
Final dialogue must be clear:
"We were never here to win."
"As long as the road is there, that's enough."
After dialogue ends:
Waterfall;
High-altitude wind;
Continuous forward footsteps
Reoccupy the main sound field.
Music must never overpower action details and dialogue.
[Seedance 2.0 Mini Generation Priorities]
P0: The location identity of the uploaded background reference image absolutely cannot change.
P0: Identity stability of @Image 1 and @Image 2 core characters.
P1: Attribution and continuity stability of silver straight sword and dark steel sword.
P1: Clear front-back spatial relationship on the same imperial road.
P1: Continuous character forward direction, enemy attack direction, and camera axis.
P2: Specific faces and complex clothing of enemies, Masters, disciples, and ordinary people.
If model complexity needs reduction:
First reduce supporting character details;
Then reduce extra attack moves;
Next reduce decorative visual effects.
Absolutely cannot sacrifice:
Reference image location identity;
Core protagonist identity;
Action causality;
Spatial continuity.
[Negative Constraints]
Prohibit turning current high-altitude imperial road into circular arena. Prohibit changing to ordinary courtyard. Prohibit changing to wide plaza. Prohibit adding another cloud bridge. Prohibit adding independent mountain gate. Prohibit adding floating island. Prohibit adding combat platform. Prohibit deleting left/right huge waterfalls. Prohibit deleting left/right large palaces. Prohibit deleting left huge cantilevered wooden structure. Prohibit deleting underlying dense ancient city. Prohibit deleting distant huge ring structure. Prohibit pulling distant huge ring closer to become ordinary gate tower. Prohibit changing relative positions of distant palaces and mid-ground buildings. Prohibit day suddenly turning into night. Prohibit stormy dark clouds replacing current soft weather. Prohibit widening imperial road for action. Prohibit changing imperial road width after cuts. Prohibit environment actively participating in plot. Prohibit sudden broken bridge. Prohibit buildings collapsing on their own. Prohibit mist actively obscuring enemies. Prohibit waterfall suddenly changing attack. Prohibit wind suddenly changing sword path. Prohibit characters teleporting without trajectory. Prohibit two protagonists swapping positions out of nowhere. Prohibit random large-area sword qi. Prohibit energy waves colliding. Prohibit light pollution. Prohibit enemies lining up to offer attacks. Prohibit enemies being passive for long periods. Prohibit long-duration weapon shoving. Prohibit characters stopping to wait after one move. Prohibit meaningless rotations. Prohibit meaningless Poses. Prohibit slow motion. Prohibit bullet time. Prohibit hit-stop. Prohibit severe Motion Blur obscuring characters and weapons. Prohibit frantic camera shaking. Prohibit continuous facial close-ups instead of real action. Prohibit arm, finger, and weapon clipping through models during action. Prohibit protagonist weapon duplication. Prohibit character face swapping. Prohibit random costume changes. Prohibit background sudden drift. Prohibit subtitles.
blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

中文译文

电影级写实纹理，纯粹的中国古代仙侠动作片，15 秒，16:9，Seedance 2.0 Mini。
本轮并非静止对决，也不重复“切换新武器 → 主角观察 → 反击 → 剑停在喉咙”的旧模式。
核心动作动机是：
在当前参考图像所示的真实高空御道上发生的移动护送战斗。
同一位大师姐和小师妹必须在保护身后受伤师父、弟子和平民撤离的同时，持续向前推进。
敌人的真正目标不一定是击败两位主角。
他们想要做的是：
突破两位主角形成的防线；
切入撤离人群；
封锁继续前进的道路。
因此，整场战斗的核心是：
**打破前方封锁
阻挡后方追兵
两位主角不断交换前后位置
始终重新开辟道路。**
动作追求流畅但绝不能软弱。
流畅意味着：
前一个动作自然引出下一个；
角色始终在移动；
攻防从不重置为零；
武器方向和角色方向始终清晰可辨；
剪辑后，观众仍知道谁在前，谁在后，以及攻击来自何处。
力量来源于：
突然启动；
明显加速；
真实碰撞；
重心变化；
力量抵消；
失衡；
惯性；
反向抓取；
急停；
立即重启。
禁止柔软如舞蹈的剑术。
禁止一次打击后重置姿势。
敌人必须有真实的判断力。
第一种策略失败后，他们必须改变目标、攻击路线、追击、封锁路径、侧翼包抄或主动分离两位主角。
禁止敌人排队送人头。
[核心角色锁定]
严格仅将 @Image 1 和 @Image 2 锁定为两位核心主角及其各自的主要武器。
@Image 1 始终是之前相同的那位剑仙大师姐：
相同的成年东亚女性身份；
25–30 岁；
相同的面容；
黑色长发半束；
白玉发簪；
高挑纤细的身材比例；
白色刺绣丝绸汉服；
半透明层叠宽袖；
银色腰封；
玉佩；
白布靴；
全片中唯一的银色直剑。
@Image 2 始终是之前相同的那位小师妹：
相同的成年东亚女性身份；
20–25 岁；
相同的面容；
黑色编发；
娇小的身材比例；
青绿色亚麻汉服；
深色腰带；
木发簪；
黑布鞋；
全片中唯一的暗钢剑。
敌人、师父、弟子、平民和旁观者都只是功能性配角。
不要浪费生成注意力去严格锁定配角的脸、发型和复杂服装。
只需确保角色类型、位置、武器和动作功能在镜头内保持逻辑连续。
[本轮特定场景硬锚点 | 最高优先级]
本轮上传的背景参考已展示了一个完整且高度可识别的位置。
因此，本轮直接进入：
硬性位置锚定。
参考图像不是风格灵感。
整个视频必须真实发生在参考图像中显示的同一高空天宫御道上。
禁止将其重新设计为“类似的仙侠地点”。
必须持续保持以下位置特征：
画面中心轴始终包含同一条极长、笔直、苍白的高空御道，从前景延伸至远处中心。
御道始终保持明显的狭长深度；角色主要沿前后方向移动；禁止将其扩展为圆形竞技场、巨大庭院或宽阔广场。
御道左右两侧始终保持同样的巨大高空落差、乳白色云海和连续的大瀑布。
中景左右两侧继续包含同一组巨大的传统宫殿，保持原有的左右位置、体量和与御道的空间关系。
左侧前景继续保留同样极其显眼的大型深色悬挑木结构建筑；密集的木结构不得消失或缩小为普通小建筑。
御道下方和雾气之下，继续保持同样规模的密集古城。
最远中心继续包含同样的巨型山体 / 超大型结构。
远处中心继续保留同样的巨大环形门 / 环形建筑。
角色始终比御道、宫殿、瀑布、底层城市和远处超大型结构小得多。
保持与原参考图像相同的明亮冷白灰、淡暖金、低饱和度日间/晨光、乳白色空气雾霭和巨大景深。
远处的巨大圆环必须始终保持在非常远的地方。
禁止突然拉近使其变成普通山门。
禁止将当前御道重新生成为：
圆形竞技场；
普通庭院；
宽阔广场；
另一座云桥；
新的悬浮平台；
新的山门；
新的浮岛；
新的悬崖；
新的宫殿入口；
新的大楼梯。
禁止为了战斗方便而突然加宽御道。
禁止白天变为夜晚。
禁止用暴风雨乌云替换当前的柔和天气。
所有动作和摄像机必须适应当前真实的御道。
禁止为了动作而重新设计场景。
[背景动态 | 必须生动，但默认不参与剧情]
场景持续自然移动。
远处的云缓慢移动。
巨大的瀑布持续真实地向下坠落。
瀑布底部的水雾持续旋转并与现有的云海融合。
不同距离的云层和雾层保持略微不同的速度，产生真实的视差。
高空自然风持续影响两位主角的黑发、宽袖、衣摆、流苏和配饰。
远处古城和宫殿之间的薄雾持续缓慢移动。
大气透视持续产生微妙变化。
少数远处人物可以在参考图像中已存在的区域内自然移动。
但是：
环境默认在叙事上是中性的。
瀑布不能突然帮助任何人。
雾气不能主动遮挡敌人。
风不能改变剑路。
建筑物不能自行倒塌。
御道不能断裂。
远处的圆环不能突然激活法术。
环境不能主动解决战斗。
只有当角色真正踩踏、急停或武器碰撞时，才允许轻微的尘土、划痕、金属火花、织物位移和鞋底摩擦碎屑。
已经出现的明显痕迹应合理持久存在。
[0–5s | 钩子：无法后退]
0.0–1.0s。
使用 24mm 超广角中心轴大全景。
首先重现位置；位置优先级高于复杂动作。
第一眼必须确认：
同样的长白御道；
左右同样的巨大瀑布；
左右同样的大型宫殿；
左侧同样的大型木结构；
下方的同样古城；
同样的巨大远处圆环。
两位主角在巨大环境中保持较小比例。
大师姐在前。
小师妹落后半步。
更远处，一位受伤的老年师父、几位弟子和一些平民正沿着同一御道继续前进。
两名敌对剑客挡住去路。
领先的敌人横剑封锁有效通道区域：
“护着他们，你们过不去。”
大师姐完全没有停下：
“谁说我们要撤退？”
话音刚落。
敌人毫无预警地发起攻击。
摄像机立即从固定大全景过渡到约 32–35mm 沿御道轴线后退的跟踪镜头。
第一个敌人迅速抢占大师姐的中心线。
大师姐绝不向后撤退。
直到最后一刻，她只斜向移动半个身位，用同一把银色直剑完成短促、坚硬、真实的碰撞，将敌人的剑推出御道中心轴。
没有后续打击。
没有摆姿势。
她立即越过敌人肩膀继续向前。
几乎同时。
第二个敌人从相反方向切向小师妹，试图绕过她攻击后方人群。
小师妹不盲目追逐敌人。
她直接冲入敌人与撤离人群之间的位置，仅用暗钢剑短暂改变对手的攻击线，然后继续向前。
一名敌人快速掠过摄像机附近，身体瞬间填满屏幕，形成第一次自然的隐藏剪辑。
到 0–5 秒结束时，观众必须清楚理解：
他们不是为了留下来赢。
他们是在夺回道路。
[5–10s | 升级：敌人开始攻击真正目标]
保持完全相同的御道、左右宫殿、瀑布、远处圆环和世界尺度。
使用约 35mm 中景跟踪镜头沿桥轴移动。
第一次攻击失败后，敌人必须主动改变策略。
敌方首领不再坚持与大师姐正面硬拼。
他突然改变目标，主动试图绕过大师姐，切入小师妹和撤离人群之间。
另一名敌人同时从相反方向压制大师姐，试图真正分离两位主角。
动作形成连续的因果链：
敌人横斩迫使大师姐短暂偏离御道中心线；
大师姐只进行一次短暂的卸力，不继续纠缠；
敌人投入的冲击惯性导致其身体略微超出最佳攻击位置；
小师妹继续向前。
领先敌人突然从小师妹右前方斜切而来。
小师妹接住第一击。
敌人不停顿，立即改为第二次低位攻击。
小师妹被迫向御道中心线收缩半步。
就在敌人判断她已被封锁之际——
大师姐突然从小师妹身后快速冲到另一侧。
两人完成第一次极快的前后位置交换。
不是双转。
不是同步姿势。
而是在保持向前运动的同时进行紧凑的肩部交叉位置互换。
大师姐直接接管原本压制小师妹的敌人。
小师妹沿着开辟出的半条路径继续向前，成为新的前锋位置。
摄像机仅因两人的真实位置交换而进行短暂的横向移动。
一把敌人的剑擦过镜头，形成自然的遮挡过渡。
禁止无理的环绕拍摄。
此时。
高速追击的脚步声从后方传来。
一名原本落在后面的功能性追兵已经赶到。
前面有人挡路。
后面有人追击。
两位女性首次陷入狭窄御道上最危险的境地：
前后夹击。
[10–15s | 反转：不守人，守路]
重新拉宽至约 28–32mm 移动中景。
用近 1 秒充分解释当前空间：
小师妹在前；
大师姐约在一个身位之后；
前方敌人首领重新占据中心线；
后方追兵快速接近；
撤离的师父、弟子和平民仍在更安全的远处位置移动。
所有人都在参考图像中的同一条真实御道上。
禁止突然切换到其他平台。
前方敌人和后方追兵几乎同时发起攻击。
小师妹本能地想回头。
大师姐只说：
“别守我。”
小师妹停止回头。
大师姐紧接着说：
“守路。”
两人几乎同时爆发。
小师妹不回头救大师姐。
她继续向前，用短促坚硬的暗钢剑碰撞强行将前方敌人的刀刃推出御道中心轴。
大师姐同时处理后方追兵。
她故意让出半步，让敌人真正进入攻击范围。
就在对方体力投入的瞬间，她突然斜向切出攻击轴。
追兵自身的前进动量导致其身体超出半个身位。
大师姐不追击。
立即再次加速向前。
此时，小师妹已将前方敌人推离中心线半个身位。
两位主角高速靠近。
肩线在极近距离擦过。
完成第二次前后位置交换。
这次，她们完全不互相看。
小师妹自然落到后方位置，接管转身再次追击的敌人。
大师姐再次成为前锋位置，面对仍然挡路的领先敌人。
一把敌人的剑扫过摄像机前景，瞬间填满屏幕，形成全片最明确的武器遮挡硬切。
切到稍低的反向摄像机位置。
大师姐仅用银剑进行一次极短、极猛烈的向外偏转。
首领的剑路被彻底推出御道中心轴。
因为他的体重已向前投入，自身的惯性带着他身体侧移约两个身位。
敌人不能掉下桥。
不能被夸张地吹飞。
不需要完全失去战斗能力。
只要打开道路就足够了。
大师姐和小师妹绝对不停下来给予致命一击。
两人直接从敌人中间穿过，沿着同一条白色御道朝远处的巨大圆环继续前进。
后方撤离的人群也开始沿重新开辟的路线前进。
敌方首领转身愤怒大喊：
“你们赢不了！”
不要切到英雄式的正面特写。
摄像机继续从侧后方跟随两位女性前进。
小师妹仍在调整呼吸：
“我们从来不是为了赢。”
大师姐始终看着前方的路：
“只要路还在，就够了。”
只留下极短的停顿。
在同一条远处御道的更深处，几名原本存在于远处人物层的功能性敌人开始慢慢散开，进入下一轮的路障位置。
禁止凭空在雾中生成它们。
禁止突然从建筑物刷新出来。
它们从一开始就存在于真实距离中，只是在这一刻通过动作显露敌意。
两位主角丝毫不减速。
银剑和暗钢剑保持自然的低位戒备状态。
摄像机继续沿御道轴后退。
黑发、衣摆、瀑布、雾气、云朵、远处宫殿和巨大世界始终自然移动。
在两人仍积极走向下一批敌人的状态下：
直接切黑。
[摄像机与剪辑]
三个叙事段落，但绝不等于是三个镜头。
全片使用少量真正功能的剪辑。
主摄像机路径：
24mm 中心轴大全景确认真实位置 → 32–35mm 沿现有御道轴后退跟踪 → 人体经过镜头形成隐藏剪辑 → 武器擦过镜头形成遮挡剪辑 → 当前后夹击发生时，重新拉宽镜头以解释空间 → 最后从侧后方持续跟随两位主角向远处圆环前进。
所有剪辑只能由以下事件自然触发：
角色遮挡；
武器遮挡；
真实武器碰撞；
运动方向的明显变化；
明显的身体失衡；
速度的突然变化。
禁止机械碎片化剪辑。
禁止摄像机比动作更躁动。
禁止无意义的 ORBIT（环绕）。
禁止为了摄像机移动而改变御道、宫殿、瀑布和远处圆环的位置。
动作驱动摄像机。
摄像机不能驱动场景变形。
[声音]
开场首先建立：
高空自然风；
远处持续存在的巨大瀑布低频轰鸣；
浅色石质御道上的脚步声；
极远处的古城环境噪声底。
战斗爆发后添加：
短促尖锐的剑风声；
坚硬、尖锐的金属碰撞声；
鞋底摩擦声；
丝绸织物抖动声；
追兵急促的脚步声；
逐渐沉重的角色呼吸声。
当前后夹击形成时，暂时降低音乐和宽广的环境声场。
突出：
脚步声；
呼吸声；
武器方向。
道路重新开辟后，战斗声音逐渐在角色身后淡出。
最终对话必须清晰：
“我们从来不是为了赢。”
“只要路还在，就够了。”
对话结束后：
瀑布；
高空风；
持续向前的脚步声
重新占据主声场。
音乐绝不能压倒动作细节和对话。
[Seedance 2.0 Mini 生成优先级]
P0：上传背景参考图像的位置身份绝对不能改变。
P0：@Image 1 和 @Image 2 核心角色的身份稳定性。
P1：银色直剑和暗钢剑的归属和连续性稳定性。
P1：同一御道上清晰的前后空间关系。
P1：角色持续的前进方向、敌人攻击方向和摄像机轴线的连续性。
P2：敌人、师父、弟子和平民的具体面孔和复杂服装。
如果需要降低模型复杂度：
首先减少配角细节；
然后减少额外攻击动作；
接着减少装饰性视觉效果。
绝对不能牺牲：
参考图像位置身份；
核心主角身份；
动作因果关系；
空间连续性。
[负面约束]
禁止将当前高空御道变为圆形竞技场。禁止变为普通庭院。禁止变为宽阔广场。禁止添加另一座云桥。禁止添加独立山门。禁止添加浮岛。禁止添加战斗平台。禁止删除左右巨大瀑布。禁止删除左右大型宫殿。禁止删除左侧巨大悬挑木结构。禁止删除底层密集古城。禁止删除远处巨大圆环结构。禁止拉近远处巨大圆环使其变成普通门楼。禁止改变远处宫殿和中景建筑的相对位置。禁止白天突然变为夜晚。禁止用暴风雨乌云替换当前柔和天气。禁止为了动作加宽御道。禁止剪辑后改变御道宽度。禁止环境主动参与剧情。禁止突然断桥。禁止建筑物自行倒塌。禁止雾气主动遮挡敌人。禁止瀑布突然改变攻击。禁止风突然改变剑路。禁止角色无轨迹瞬移。禁止两位主角无缘无故交换位置。禁止随机大面积剑气。禁止能量波碰撞。

溯源

原作者

Soranlan

发布日期

2026-10-04

原始出处

查看原帖 ↗

收录来源

YouMind-OpenLab/awesome-seedance-2-prompts · 2106728692986843641 · CC-BY-4.0