写真→水彩纸面封面：禁对半拼贴改编

提示词

## DIRECTIVE
Generate a single watercolor paper-cover illustration. Use the attached reference image only as a source to extract subject, silhouette, pose, objects, colors, and canvas proportion. Do not place, collage, overlay, split, or attach the original photograph anywhere in the frame. The entire canvas is the illustration.

## FORMAT
Match the exact aspect ratio and orientation of the attached reference image.
If the reference is horizontal, the illustration is horizontal.
If the reference is vertical, the illustration is vertical.
If the reference is square, the illustration is square.
One full-bleed handmade paper illustration.
No top/bottom split.
No photographic insert.
No diptych.
No letterboxing or added bars.

## ASPECT RATIO ADAPTATION
The output canvas must inherit the size relationship of the reference image.
Recompose the extracted elements to occupy that same proportion with intention.
Do not stretch, squash, or pad the drawing to fake another format.
Do not keep the original photograph's empty margins as dead space.
Use the full reference proportion as an editorial page: subject, a few supporting shapes, and paper ground arranged for that specific width and height.

## SUBJECT EXTRACTION
Study the attached reference image.
Preserve only:
- the most recognizable subject
- essential silhouette and proportions
- key pose or gesture
- important objects
- the core narrative relationship between people and objects

Highly simplify.
Remove unnecessary details.
Retain only the visual information needed for immediate recognition.

Never copy photographic texture, pores, lens blur, or camera grain into the illustration.
Never redraw the photograph as a painted photo.
Never keep the original photo visible.

## MEDIUM
Minimalist hand-drawn watercolor on paper.

Use:
- delicate, slightly imperfect hand-drawn lines
- transparent watercolor washes
- a small number of bold, clearly defined flat color shapes
- rough paper texture
- visible handmade brush marks
- slightly irregular, organic edges
- subtle pooling, bloom, and pigment granulation
- slight imperfections that make it feel genuinely handmade

The main illustrated subject should be small and carefully composed, occupying approximately 20–35% of the canvas.
Leave a large amount of negative space around the illustration, distributed according to the reference proportion.

## PAPER GROUND
The background should primarily resemble:
- rough white paper
- warm off-white paper
- pale natural paper
- minimal editorial book-cover stock

Use only a few lines or small watercolor shapes to suggest the surrounding environment.
Do not fill the page with a full scene.
Do not paint a photographic background.

## COLOR PALETTE
Extract the dominant colors directly from the attached reference image.
Compress the palette into no more than 4 main colors.
Keep the colors restrained, sophisticated, and harmonious.
Use bold but controlled flat watercolor blocks.
Avoid excessive color variation.
Preserve subtle paper grain and handmade brush texture.
The illustration should feel like a simplified watercolor interpretation of the reference, not a copy of it.

## TYPOGRAPHY
A small amount of simple typography may be included when it naturally fits.
Possible elements: a short title, keyword, object name, location, year, number, or short phrase.
Text should be minimal, understated, and editorial.
Place type in the negative space created by the reference proportion.
Do not force text into the composition if it does not naturally fit the subject.
No logos. No watermarks. No captions describing the image.

## VISUAL LANGUAGE
Quiet. Poetic. Refined. Minimal. Innocent. Relaxed. Artistic. Thoughtful. High-recognition. Premium.
Art-book cover. Independent publishing. Contemporary editorial design. Thoughtful picture book.

## NEGATIVE PROMPT
No original photograph in the frame, no split layout, no top photo / bottom drawing, no collage, no photomontage, no attached reference image, no photorealism, no camera look, no lens blur, no cinematic portrait, no beauty retouch, no extra people, no identity-heavy realism, no crowded composition, no full-bleed painted scene, no forced 3:4, no forced square, no letterboxing, no black bars, no stretched or squashed drawing, no unused margins copied from the photograph, no excessive detail, no more than four main colors, no loud typography, no logos, no watermarks, no HUD.

中文译文

## 指令
生成一张水彩纸面封面插画。仅将所附参考图作为素材来源，用于提取主体、剪影、姿态、物件、色彩和画布比例。不得将原始照片放置、拼贴、叠加、分割或贴附在画面中的任何位置。整块画布就是这张插画。

## 格式
与所附参考图保持完全一致的长宽比与方向。
若参考图为横向，插画即为横向。
若参考图为纵向，插画即为纵向。
若参考图为正方形，插画即为正方形。
一张满版（full-bleed）手工纸插画。
无上下分栏。
无照片嵌入。
无双联画。
无加黑边或额外边框。

## 长宽比适配
输出画布必须继承参考图的尺寸关系。
重新构图，让提取出的元素有意图地占据同一比例。
不得拉伸、压扁或补边来伪造另一种画幅。
不得保留原始照片的空白边缘作为死区。
把参考图的完整比例当作一个编辑版面来使用：主体、少量辅助形状与纸质底纹，按该特定宽高进行排布。

## 主体提取
研究所附参考图。
仅保留：
- 最具辨识度的主体
- 必要的剪影与比例
- 关键姿态或动作
- 重要物件
- 人与物之间核心的叙事关系

高度简化。
去除不必要的细节。
仅保留实现即时识别所需的视觉信息。

切勿将照片质感、毛孔、镜头虚化或相机颗粒复制到插画中。
切勿把照片重绘成一张画出来的照片。
切勿让原始照片可见。

## 媒介
纸上极简手绘水彩。

使用：
- 纤细、略带不完美的手绘线条
- 透明的水彩晕染
- 少量大胆、边界清晰的平涂色块
- 粗糙的纸张纹理
- 可见的手工笔触痕迹
- 略不规则、有机的边缘
- 细微的积水、水痕与颜料颗粒沉淀
- 轻微的不完美，让它显得真正是手工制作

主要插画主体应小巧而精心构图，约占画布的 20–35%。
在插画周围留出大量负空间，按参考图比例进行分布。

## 纸张底纹
背景主要应呈现为：
- 粗糙白纸
- 暖调米白纸
- 浅色自然纸张
- 极简编辑书籍封面用纸

仅用少量线条或小幅水彩色块来暗示周围环境。
不要用完整场景填满页面。
不要绘制照片式背景。

## 配色
直接从所附参考图中提取主导色。
将色板压缩到不超过 4 种主色。
保持色彩克制、高级且和谐。
使用大胆但受控的水彩平涂色块。
避免过多的色彩变化。
保留细微的纸张肌理与手工笔触质感。
插画应像是对参考图的简化水彩诠释，而非对它的复制。

## 文字排版
当文字能自然融入时，可加入少量简单排版。
可能的元素：简短标题、关键词、物件名称、地点、年份、数字或短语。
文字应极简、低调、具编辑感。
将文字置于由参考图比例所形成的负空间中。
若文字与主体不自然契合，不要强行加入构图。
无 logo。无水印。无描述画面的说明文字。

## 视觉语言
安静。诗意。精致。极简。纯真。松弛。艺术性。深思。高辨识度。高级感。
艺术书封面。独立出版。当代编辑设计。有思想的绘本。

## 负面提示词
画面中无原始照片、无分栏布局、无上照片/下绘画、无拼贴、无照片蒙太奇、无贴附的参考图、无照片写实、无相机感、无镜头虚化、无电影感人像、无美颜修图、无多余人物、无身份感过重的写实、无拥挤构图、无满版绘制场景、无强制 3:4、无强制正方形、无加黑边、无黑色横条、无拉伸或压扁的绘画、无照搬照片的空白边缘、无过度细节、主色不超过四种、无喧闹的字体排版、无 logo、无水印、无 HUD。

溯源

原作者

impaulxyz

发布日期

2026-09-15

原始出处

查看原帖 ↗

收录来源

xianyu110/awesome-gpt-image2.5 · 2099770443808821443 · MIT